Photo: Karlos Martínez / FormatoComodo

↓   COVER STORY, JANUARY 2025: FOLDED FORMS   ↓

Folded Forms
Cover Story, January 2025
Reviewed by Max Andrews of Latitudes in the December 2024 issue of Artforum magazine, Karlos Martínez Bordoy’s recent exhibition “Folded Forms” at Galería FormatoComodo in Madrid offered a concise and ingenious exploration of the century-old Murphy bed concept. This fold-down bed, hinged at one end to fold against the wall and save floor space, has long served as a cinematic shorthand for cramped quarters or a cartoonish comedic prop. Martínez reimagined this curious object across a quarter of works, expanding its metaphorical potential to examine the negotiation of personal space and the layering of concealed desires.

Martínez’s exacting choice of hardware and soft materials offered a correspondingly precise set of allusions. For example, the coarse fabric bands that braced the textile panels were of such a specific blue-gray tone and texture that they immediately brought to mind the straps of some vintage navy-issue duffel bag, while the gently curved birchwood bed slats suggested sober IKEA furniture. The coded sculptural imaginary was somehow part midcentury flophouse, part contemporary tourist-rental micro apartment—both symptoms of an economic squeeze and versions of vaguely seedy urban malaise.” Continue reading here.
Cover Story Archive
Photo: Karlos Martínez / FormatoComodo
  • COVER STORY, JANUARY 2025
    Folded Forms
    Cover Story, January 2025
    Reviewed by Max Andrews of Latitudes in the December 2024 issue of Artforum magazine, Karlos Martínez Bordoy’s recent exhibition “Folded Forms” at Galería FormatoComodo in Madrid offered a concise and ingenious exploration of the century-old Murphy bed concept. This fold-down bed, hinged at one end to fold against the wall and save floor space, has long served as a cinematic shorthand for cramped quarters or a cartoonish comedic prop. Martínez reimagined this curious object across a quarter of works, expanding its metaphorical potential to examine the negotiation of personal space and the layering of concealed desires.

    Martínez’s exacting choice of hardware and soft materials offered a correspondingly precise set of allusions. For example, the coarse fabric bands that braced the textile panels were of such a specific blue-gray tone and texture that they immediately brought to mind the straps of some vintage navy-issue duffel bag, while the gently curved birchwood bed slats suggested sober IKEA furniture. The coded sculptural imaginary was somehow part midcentury flophouse, part contemporary tourist-rental micro apartment—both symptoms of an economic squeeze and versions of vaguely seedy urban malaise.” Continue reading here.
    Cover Story Archive

Cookies Advice: We use cookies. If you continue browsing, we consider that you accept their use. Aviso de Cookies: Utilizamos cookies. Si continua navegando, consideramos que acepta su uso.