Views of the exhibition “Laia Estruch: Hello Everyone” at the Museo Reina Sofía, Madrid. Courtesy the artist and Ehrhardt Flórez, Madrid. Photos: Jonás Bel.

Curators: Exhibition, “Laia Estruch: Hello Everyone”, Museo Reina Sofía, Madrid, on view until 1 September 2025

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Over the past fifteen years, Catalan artist Laia Estruch has developed a practice in which the human voice becomes an artistic material that explores its own expressive potential. This vocal work has evolved alongside the creation of sculptural environments, often monumental in scale, conceived for each of her projects.



Conceived as a navigable warehouse, the exhibition is a repository imbued with life and breath, in which the sculptural resources and vocal expressions that have shaped the artist’s research from 2011 to 2025 are reactivated.



The artist' first monograph, published in Spanish and English, will be released in May. Designed by longtime collaborator Ariadna Serrahima (If publications) and published by Museo Reina Sofía, it features a new text by artist Sharon Hayes (Estruch’s former professor at The Cooper Union) on performance pedagogy; the essay “Voice-Body-Sculpture” by Latitudes, the exhibition curators, offering the first in-depth overview of Estruch’s practice; and an extended conversation with curator Marc Navarro.