Sharjah Biennial 8 (2007) part 2 publication with proceedings of the 3-day conference organised by Latitudes and the RSA, London
Mon, Oct 26 2009
Edited by Joseph R Wolin
Paperback
567 pages, 299 visuals. Softcover 350g. Art Matt Card
Paper: 80g. offset wood free and 135 g. Art Matt24 x 16 cm
English and Arabic
Published by Sharjah Biennial, 2008ISBN 978-9948-04-328-6 Part II
The recently published vol. II of the catalogue of the Sharjah Biennial 8 [25º 22’N, 55º 24’E] titled 'Still Life: Art, Ecology and the Politics of Change (Part II)' includes installation shots of the exhibition as well as proceedings of the 3-day conference Latitudes organised in collaboration with the Royal Society of Art's Arts & Ecology programme (today the RSA Arts and Ecology Centre) (+ info). The book is a companion to volume I, published to coincide with the Biennial’s opening.
The symposium (images here) considered today’s uses and abuses of the ‘eco-’, notions of artistic agency and critical practice, as well as the role of the public realm in today’s artistic and institutional practices. How has it become fashionable (or profitable) to be seen to be eco? How has what we mean by ecology been transformed and evolved through the uses of terms such as ‘environmental’, ‘green’, ‘ethical living’, and so on?; How do some artists desire palliative results, while others offer strategies of friction or resistance? How far are the sources of materials a consideration for artists, designers and architects? And how does this relate to broader questions of resources—water, energy, oil in the Emirate and beyond?
The symposium included focused presentations by keynote speakers such as Bruce Sterling (read his paper here), critical panels by biennial artists Sergio Vega or Peter Fend as well as by Van Abbemuseum director and Sharjah Biennial juror Charles Esche, or Smart Museum's Curator of Contemporary Art Stephanie Smith, as well as breakout seminars with biennial artists Tomás Saraceno and Michael Rakowitz.
You can download the symposium programme, the exhibition guide and view press-related materials in this archive.
The recently published vol. II of the catalogue of the Sharjah Biennial 8 [25º 22’N, 55º 24’E] titled 'Still Life: Art, Ecology and the Politics of Change (Part II)' includes installation shots of the exhibition as well as proceedings of the 3-day conference Latitudes organised in collaboration with the Royal Society of Art's Arts & Ecology programme (today the RSA Arts and Ecology Centre) (+ info). The book is a companion to volume I, published to coincide with the Biennial’s opening.
The symposium (images here) considered today’s uses and abuses of the ‘eco-’, notions of artistic agency and critical practice, as well as the role of the public realm in today’s artistic and institutional practices. How has it become fashionable (or profitable) to be seen to be eco? How has what we mean by ecology been transformed and evolved through the uses of terms such as ‘environmental’, ‘green’, ‘ethical living’, and so on?; How do some artists desire palliative results, while others offer strategies of friction or resistance? How far are the sources of materials a consideration for artists, designers and architects? And how does this relate to broader questions of resources—water, energy, oil in the Emirate and beyond?
The symposium included focused presentations by keynote speakers such as Bruce Sterling (read his paper here), critical panels by biennial artists Sergio Vega or Peter Fend as well as by Van Abbemuseum director and Sharjah Biennial juror Charles Esche, or Smart Museum's Curator of Contemporary Art Stephanie Smith, as well as breakout seminars with biennial artists Tomás Saraceno and Michael Rakowitz.
You can download the symposium programme, the exhibition guide and view press-related materials in this archive.
Cover and Back Cover, 'Still Life: Art, Ecology and the Politics of Change (Part II)'. Photos: Sharjah Biennial.
Peter Fend ARABIAN GULF INTEGRATION ROOM
Thu, May 24 2007"To those interested in the Basin of the Gulf installation at the 8th Sharjah Biennial (2007), in the Expo Center: here is a plan of the installation, with items numbered, and a price list for realization of the items on site. The prices are based, for larger site projects, on satellite investigations into similar-scale constructions, and, for smaller site projects, on prior budgets which I had prepared. Inquiries are welcome on all modeled and budgeted projects. Contracts are welcome, too. I am ready to discuss these estimate prices and project schedules with engineering and regional-planning firms in the area. The large figures are based on consultations with engineers during the years of satellite monitoring of similar-scale projects in the Arabian Gulf Basin and elsewhere. The small figures given are based on earlier project budgets."
ARABIAN GULF INTEGRATION ROOM AGIR Meaning, in French, “to act”.
Displaying how to make a cohesive whole of the Arabian Gulf as a basin.
DRAFT PRICE LIST
1. Convex-Disc Ramp Stepdown, near Birecik, Turkey $300 MILLION
2. Wadi el Batin Cut-Through $800 MILLION (using aircraft)
3. Karun River Zig-Zags $1 BILLION (undershot waterwheels)
4. Nafuds cut with Multi-channel canals $300 MILLION
5. Sea-level Flushing, into UAE, or even to the Umm as Samim $1 BILLION
6. Offshore Biomass Rig: Gracilaria $100,000
7. Satellite assessment of marine bioproductivity using SeaWiFS data, through Global Feed $20,000
8. Cones, Cages and Wallows near Salt Pans (Sabkhas) $150,000
9. Flushing out Alluvial Fans at the Head of the Gulf Based on satellite assessment of Iraqi projects $2 BILLION
10. Convex-Disc Marsh Zig-Zag Strcture, for mountains $300,000
11. Wadi Yudayyah Hydrometric Area, site for projects Example: clearing the mouth to yield seagrass $20,000/month
12. Feather-Production Sequence, from urban wastes Example: keratin dispersion in swamps or oases $10,000/month
Dispersed throughout space. Undershot Waterwheels, to replace hydroelectric dams $20,000 per test
Inshore Biomass Rig: Microalgae $20,000