Simon Fujiwara, Frame, Frieze Art Fair 2009, London
Thu, May 7 2009 |
| Simon Fujiwara, installation view of 'Museum of Incest: A Site Survey' (2008). |
Frieze Art Fair, London (15–18 October 2009), has just announced part of their 2009 programme (+ info...). Galerie Neue Alte Brücke, Frankfurt, will be part of Frame, a newly introduced section dedicated to solo artist presentations. The gallery will present 'The Museum of Incest' by Simon Fujiwara, a version of which will soon be exhibited as part of 'Provenances' a Latitudes-curated exhibition at Umberto di Marino, Naples. + info...
'Provenances' opens Thursday 14 May, 20h. On the opening evening, the artist will present the lecture-performance 'The Museum of Incest: A Guided Tour' (starting 20.30h). For the occasion a guide of the museum has been published by Archive Books (in English with Italian translation). The guide is the first publication by Turin/Berlin-based publishing house Archive Books (formerly known as The Bookmakers Ed.).
Fujiwara (1982, London, UK. Lives in Berlin and London) has recently been artist in residence at the MAK Center for Art & Architecture, Schindler House, Los Angeles (2008–9) and participated in the exhibition 'Office of Real Time Activity', curated by graduating students of the MA Curating Contemporary Art, Royal College of Art, London (2009). Forthcoming projects include: 'The Collectors', Danish and Nordic Pavilions, 53rd Biennale di Venezia.
Read more about Simon Fujiwara: Download a profile text from Latitudes' writing archive (pdfs in Spanish and English).
Looking back – 2008 "Annual Report"
Mon, Dec 29 2008
Looking back at the past year is a infectious exercise at this point in the calendar. We would like to thank everyone that has visited or taken part in our projects, from the small ones to the 3 year-long collaborations, whether from nearby or far away.
Our 2008 began as intense preparations were well underway for the group exhibition 'Greenwashing. Environment: Perils, Promises and Perplexities' at Fondazione Sandretto Re Rebaudengo, Turin (29.02 –18.05.2008) co-curated with Ilaria Bonacossa. 'Greenwashing...' presented the work of 25 artists and artists groups (11 of those produced new work). A 192 page catalogue was published by The Bookmakers Ed., Turin – you can buy a copy here (English/Italian editions).
Following 'Greenwashing...' we presented 'A Stake in the Mud, A Hole in the Reel: Land Art's Expanded Field 1968–2008', a film and video programme curated at the invitation of the Museo Tamayo in Mexico City that later toured to 8 venues between April and October: MARCO, Vigo; Stadtkino (Kunsthalle Basel), Basel, Switzerland; CAAC, Sevilla; Fundació Suñol, Barcelona; Barn Hongersdijk Farmstead, Wilhelminapolder, The Netherlands; Spike Island, Bristol, United Kingdom; Centro de Arte Dos de Mayo, Móstoles. For further information you can read an essay in the Winter 2008-9 (upcoming) issue of Art & Co magazine or download press articles and programmes here.
Before the end of the summer we were part of the jury for the Premi Miquel Casablancas, an award for Spanish artists under 36. From around 200 portfolios and projects submitted Latitudes, together with Aimar Arriola, selected four artists to participate in the exhibition later in the year: ‘La, la, la, la: on winning and losing’ (29.11.2008 – 10.01.2009).
The summer was filled with more research and work to be done, which was carried out thanks to the support and hospitality of the Deutsche Börse Residency Programme, Frankfurter Kunstverein, Germany.
The 2008-9 season began with the exciting realisation of 'The Crest of a Wave’, a four-part project by Lawrence Weiner at Fundació Suñol, Barcelona (08.10 – 15.11.08) that had a great press, radio, specialised media and TV coverage (see post 12 November); followed by the conclusion of the 3 year-long public commission by Tue Greenfort which was presented in a discrete mode alongside his Frieze Art Fair project (16-19 October). This commission was an initiative of the RSA Arts & Ecology programme, London, which has recently become the Arts & Ecology center. Soon there will be a small publication gathering the history of the commission as well visual documentation of the project.
In November, as part of Artissima 15 Latitudes presented 'X, Y, etc!', a video programme comprised of around 40 works that was inspired by Charles Fort's research methodology, the paranormal and anomalous phenomena, the uncanny and the unexplained.
And now looking a little towards what's to come in 2009 ... since May 2008 (see previous posts here and here) we have been working on 'Portscapes', a series of artists’ projects that will take place throughout 2009 alongside the construction of ‘Maasvlakte 2’, a 1,000 hectare area of reclaimed land that will extend the Port of Rotterdam, Europe's largest seaport and industrial area. Mirroring a port's function of transit and exchange 'Portscapes' will involve Rotterdam-based artists and those from countries including China, Austria, Mexico, Scotland and the US, with the aim of considering the physical and conceptual implications of the new lands of Maasvlakte 2, as well as the city-port as a distributive network across artistic, marine and mercantile registers. 'Portscapes' will be introduced during Art Rotterdam (5–8 February 2009) by a small ‘prologue’ publication designed by Ben Laloua / Didier Pascal.
Throughout 2008 we have also contributed several catalogue essays, articles, exhibition reviews, artists profiles, etc. a selection of which can be downloaded from our writing archive.
Happy New Year!
Interview with Lara Favaretto published in UOVO/16 (2008)
Thu, Jan 3 2008 |
| Lara Favaretto, Plotone, 2005. 20 air-compressed tanks, 20 pressure regulators, 20 distributing, 20 timers, 20 electro valves, 20 whistles, plastic cables, 165 x 10 each tank. Courtesy of the artist and Galleria Franco Noero, Torino. |
In the 16th issue of UOVO magazine, Mariana Cánepa Luna from Latitudes interviewed Turin-based artist Lara Favaretto. The issue focuses on the relationship between art and architecture, man and environment, and includes interviews by Raimundas Malasauskas with Adam Carr, Tobias Putrih with Silvia Sgualdini, Michael Sailstorfer with Francesca Pagliuca, Dahn Vo with Adam Carr, Vincent Lamouroux with Céline Kopp, Daniel Arsham with Merce Cunningham, Tatiana Trouvé by Lillian Davies; texts by Michael Rakowitz, Liam Gillick, Marjetica Potrc and Hans Op De Beeck, and many more...
Here is a peek at that interview (you can download the full text from Latitudes' website, here or buy the issue):
MCL: In your recent Frieze Commission you sent out a letter inviting the Queen of England to visit the Frieze Art Fair (Project for Some Hallucinations, 2007). The letter in which she declines the invitation was pinned to a tree inside the fair. What kind of arrangements would you have made if the Queen had accepted?
LF: Very Few! After an official inspection by the Royal Staff, everything would have followed the Royal Protocol. My work stopped before that, with the very possibility of projecting an apparition, a ‘platonic’ intervention, a Goliardic visualisation, or a confrontation with the appearance of a movie star from early cinema. It was an objectless hallucination, a kind of sentimental investigation that was projected to appear yet be autonomous in denying itself. The failure was long-awaited and foreseeable and was highlighted at the fair by the sound of applause, that put an end to the great daily spectacle as everyone was heading for the exit.
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| Lara Favaretto, Project for Some Hallucinations, 2007, Frieze Art Fair Project, October 2007. Courtesy of the artist and Galleria Franco Noero, Torino. Photos by Latitudes. |
LF: Don't you think it's like that? I think that if very few words can describe a work, just enough to capture the work's physiognomy, it could end up being even stronger than the work itself. The border is really subtle. Telling a story also means suspecting deception and trying to improve it, waiting for it to suddenly unravel, and having fun as much as I have. A story I haven't understood is: ‘I've been studying disguises for a long time now. I am hired to shadow one of the most important people on the American political scene. I am currently based high in the Tora Bora caves.’
Lara Favaretto lives and works in Turin, Italy. In 2008 she will be artist-in-residence at the Isabella Stewart Gardner Museum, Boston; the Hayward Gallery, London, and at the Proa Foundation, Buenos Aires, where she will subsequently have solo shows. She will also present work at The British School at Rome and participate in the 16th Sydney Biennial. She is represented by Franco Noero in Turin and Klosterfelde in Berlin.
Latitudes in 'Dazed & Confused' (December 2007 issue)
Sat, Dec 15 2007
Photo of the magazine spread by Alexis Zavialoff.
They are indeed dazed and confused. We have NOT taken over the magazine nor have we met Dash Snow or Ryan McGinley, at least not yet. Snow and McGinley were interviewed in previous UOVO issues as were, in fact, all the other artists mentioned in the review.
However, Latitudes did guest edit the summer issue #14 (Green) 'Ecology, Luxury and Degradation' which included interviews and projects by artists such as Tue Greenfort, Sergio Vega, Michael Rakowitz, Lara Almarcegui, Federico Martelli, Noguchi Rika, Arturas Raila, etc.
We are also collaborating with The Bookmakers Ed., the design office led by Chiara Figone which has just begun to publish monographs, as members of their Advisory Board together with Andrew Bonacina, Adam Carr, Lillian Davies, Silvia Sgualdini and Francesco Stocchi.
GREENWASHING exhibition announcement
Fri, Nov 16 2007
We are delighted to announce that Latitudes will curate, with Ilaria Bonacossa, the exhibition Greenwashing. Environment: Perils, Promises and Perplexities / Ambiente: Pericoli, Promesse e Perplessità / Medioambiente: Peligros, Promesas y perplejidades at the Fondazione Sandretto Re Rebaudengo, Turin, Italy, 28 February – 4 May 2008.
More information here. And eventually on this site.
The Bookmakers Ed. presents IN-SCAPE series
Sat, Sep 8 2007
Edited by Luca Andriolo
Authors: Lillian Davies, Mario Diacono, Kathy Grayson, Norma Mangione, Bob Nickas
Edition English
October 2007
ISBN 978-88-95702-00-1
Hardcover, 21 x 26 cm – 288 pages
On the 6th September, The Bookmakers Ed. presented 'Kent Henricksen: A season of delight', the first volume of IN-SCAPE, a series devoted to young talents emerging in the contemporary art world. The publication was launched in New York coinciding with 'Divine Deviltries', the artist's exhibition at John Connelly Presents gallery on view until October 6, 2007.
This monograph explores Kent Henricksen's imagery and art-practice: writer and gallerist Mario Diacono analyzes Henricksen's work in the context of contemporary art, whilst writer Lillian Davies offers the reader an essay about violence within the artist's imagery. To complete the volume are an in-depth interview with writer and curator Bob Nickas and a conversation between curator Kathy Grayson and the artist.
UOVO14 'GREEN – Ecology, Luxury & Degradation' Available now!
Wed, Aug 22 2007
GUEST EDITED BY LATITUDES
JULY–SEPTEMBER 2007
UOVO/14 GREEN - Launching 17 June 2007
Fri, Jun 1 2007
The magazine will be launched in the Art Basel's Art Lobby section on 17 June (4-5pm). More information about the issue here – it's almost 500 pages!
Full Art Lobby Programme here (pdf 87kb)
Latitudes have just finished editing UOVO Issue#14
Tue, May 8 2007
We have just finished editing UOVO Issue#14 titled (GREEN) 'Ecology, Luxury and Degradation'. The magazine will be launched in Art Basel's Art Lobby section on June 17th am (exact time TBC - will let you know!).
In the meantime, have a look at issue 13 which was just launched in Berlin.