Throughout her career, Holt presented four iterations of “Ventilation System”: at Temple Gallery, Philadelphia; and Palladium, New York (both in 1985); at the Tampere Art Museum, Finland; and at the Guild Hall Museum in East Hampton, New York (both in 1992). Posthumously, the installation has been presented on three occasions: at Bildmuseet, Umeå, Sweden; Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia (both in 2022); and most recently at MACBA Museu d’Art Contemporani de Barcelona, Spain (2023).
The Scholarly Text Program regularly commissions thinkers from various disciplines to write 1,200 words on single artworks by Nancy Holt and/or Robert Smithson. The authors explore how Holt and Smithson’s ideas resonate through artistic and cultural production in the present, exploring topics ranging from geology to ecology, poetry, architecture, science fiction, public art, sculpture, drawing, film, exhibition histories or philosophy. The Scholarly Text Program will publish two essays on each work, presenting differing opinions and approaches. Each new essay includes images selected by the author, a short bibliography, citation references, endnotes pointing to the author’s references and an ISBN.
Stay tuned for Max Andrews’ upcoming contribution on Smithson’s article “Aerial Art” (1969) next month.
Thank you to Lisa Le Feuvre, Executive Director of the Holt/Smithson Foundation, for the kind invitation to contribute to the foundation’s growing Scholarly Texts Program archive and to William T. Carson, Program Manager and Assistant Curator, for the research assistance. Extended gratitude to Chicago-based artist Nick Raffel for the insightful online studio visit and to Maxwell Graham Gallery, New York.
In 2020, as the world grappled with the COVID-19 pandemic, a group of dedicated arts professionals in London formed Gallery Climate Coalition. The coalition’s primary targets were to facilitate a reduction of the visual art sector’s greenhouse gas emissions by a minimum of 50% by 2030. The first of GCC’s affiliated volunteer groups was formed soon after in Berlin. Following London and Berlin, groups were established in Italy, Taiwan, Los Angeles, Spain (in late 2022), and New York.
These seven groups became known as the International Volunteer Chapter (IVC) programme, and each advocated for an environmentally responsible arts sector on their local level, either nationally or by being focused on specific cities. Each was composed of professionals from the arts sector volunteering their time to work collectively to develop localised content and resources in line with GCC’s guidelines. Each hosted events and engaged with their immediate networks on environmental issues within the arts sector. Their teams were self-organised and self-motivated whilst remaining closely aligned with GCC’s core targets and commitments.
Four years later, and despite the intensive work carried out by the IVCs, the increasing funding needs of this ever-widening network, and the challenging funding landscape facing GCC and arts/non-profit organisations more generally, have led to the difficult decision to bring the IVCs programme to a close as of September 2024.
The IVC programmes have provided invaluable insights over the past years and fostered a formidable international network of dedicated volunteers. Whilst GCC Spain ceases operations as a GCC International Volunteer Chapter (IVC), the committee members remain affiliated to GCC as members, and will continue to contribute to climate action in a more informal capacity.
GCC Spain’s Chronology
Laura Carro and Lucía Mendoza (Galería Lucía Mendoza), Carolina Grau (Independent Curator), Carmen Huerta (TAC7), María Gracia de Pedro (Badr El Jundi Foundation), Mariana Cánepa Luna and Max Andrews (Latitudes) and Nicky Ure (UreCulture) met online for the first time in December 2022. This group ended up founding the International Volunteer Chapter, GCC Spain. Further along, the Committee expanded to include Angela Costantino and Simone Sentall (Fundación TBA21), Miriam Torres and Paula Ráez (Estudio Jurídico Gabeiras & Asociados) and volunteers such as Miriam Callejo.
GCC Spain’s first physical meeting was at ARCOmadrid in February 2023, when it convened an open session at the art fair to inform professionals about GCC’s targets and commitments, advise on practical issues about enrolment in its membership programme, and use helpful tools and resources such as the Carbon Calculator.
One of GCC Spain's first achievements was translating GCC’s 11-part Best Practice Actions into Spanish (Acciones Efectivas) and opening its Instagram account.
In June 2023, GCC Spain held its first online Introductory Event (pdf of the press release in Spanish here), presenting GCC’s overall aim and officially launching GCC Spain. The launch was featured in Revista Bonart.
June 2023: Online Introductory Event (press release here)
In January 2024 GCC Spain had its first online Assembly to inform members and non-members about the past and future plans of the group.
In February 2024, in collaboration with GCC London and ARCOmadrid, a campaign for #ClimateConsciousTravel was launched through multiple displays at ARCOMadrid, encouraging visitors to take the #TrainToARCOMadrid instead of flying. Additionally, the Gallery Climate Coalition was featured in Exibart magazine, and Carolina Grau, a founding member of GCC Spain, was interviewed about her curatorial work.
Despite these changes, Latitudes remains steadfast in its commitment to GCC’s core activity and commitments. Latitudes remains committed to working with its international community of 1500+ across 50+ countries in reaching a shared goal of 50% reduction of greenhouse gas emissions in the visual arts sector by 2030 (compared to a 2019 baseline). This adherence is essential to maintaining our Individual Active Membership.
You can read a statement about the closure of the IVC programme from GCC Managing Director Heath Lowndes here. For all other communications and enquiries regarding GCC, please contact info@galleryclimatecoalition.org
RELATED CONTENT:
March 2023 cover story on www.lttds.org
The March 2023 monthly Cover Story “Art, Climate and New Coalitions” is now up on our homepage www.lttds.org
“The terminology of environmental consciousness and carbon emissions has shifted significantly in recent decades, from talk of the greenhouse effect to global warming and sustainable development, and now from climate change to the climate emergency. ” → Continue reading (after March 2023 this story will be archived here).
Cover Stories are published on a monthly basis on Latitudes’ homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.
Cookies Advice: We use cookies. If you continue browsing, we consider that you accept their use. Aviso de Cookies: Utilizamos cookies. Si continua navegando, consideramos que acepta su uso.