LONGITUDES

Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Cover Story, October 2024: Nancy Holt “Ventilation System”

October 2024 cover story on www.lttds.org


NEW MONTH 
NEW MONTHLY COVER STORY

The October 2024 monthly Cover Story “Nancy Holt “Ventilation System” is now up on Latitudes’ homepage (after October 2024 it will be archived here). Cover Stories are published monthly featuring past, present, or forthcoming projects, research, texts, artworks, exhibitions, films, objects, or field trips related to Latitudes’ curatorial projects and activities.

Mariana Cánepa Luna of Latitudes was commissioned to write an essay on a work by American artist Nancy Holt  (1938–2014) for the Holt/Smithson Foundation’s Scholarly Text Program.

→ Read it here.

Mariana focused on Holt’s “Ventilation System” (1985–1992), a site-responsive installation that celebrates air-conditioning infrastructures and draws attention to their ubiquitous, though often overlooked, presence in modern life. While such building components are typically concealed, Holt’s work ostentatiously showcases industrial ducts and fans, blending functionality with wry playfulness. This installation, part of her “System Works”, critiques humanity's dependency on technological infrastructures and subtly raises ecological concerns around energy use. It reflects Holt’s interest in connecting human experience to larger natural systems, akin to her most famous work, “Sun Tunnels” (1973–1976).

Graphics courtesy Holt/Smithson Foundation.



In today's context, “Ventilation System” resonates with a heightened sustainability awareness. Recent artworks, like Nick Raffel’s “fan (Wesleyan)” (2022) and “wind dial (Pied-à-Terre)” (2021), further explore air circulation in buildings, emphasizing efficiency and environmental literacy. Ghislaine Leung’s “Violets 2” (2018) explores related themes, using repurposed ventilation pipes to reflect on institutional conditions and artistic labour. 

[1 and 2] Nancy Holt, “Ventilation IV: Hampton Air”, 1992. Guild Hall Museum, East Hampton, New York. Guild Hall Museum, East Hampton, New York. Steel ducts, fans, turbine ventilators, shanty caps. Indoor section: 4.9 x 5.5 x 8.5 m. Outdoor section: 4.8 x 6.1 x 8.2 m. © Holt/Smithson Foundation / Licensed by Artists Rights Society, New York. [2] Ghislaine Leung, “Violets 2”, 2018. Galvanised Steel Ventilation System, Brackets, Screws, Bolts, Dirt, Welcome Sign. Ventilation System removed from Network Aalst Bar during 2017 refurbishment. Commissioned by Network Aalst, Belgium. Score: All pipes removed for refurbishment reinstalled within the space of one room and bracketed fixed to the floor, using as much of the material as possible while keeping it all interconnected. Spare pieces that do not fit in this configuration are to be bracketed together in smaller formations. A welcome sign to be installed. Courtesy of the artist and Maxwell Graham, New York. [3] Nick Raffel, “Pied-à-terre”, San Francisco, 2022. Photo: McIntyre Parker. Courtesy of the artist.

Throughout her career, Holt presented four iterations of “Ventilation System”: at Temple Gallery, Philadelphia; and Palladium, New York (both in 1985); at the Tampere Art Museum, Finland; and at the Guild Hall Museum in East Hampton, New York (both in 1992). Posthumously, the installation has been presented on three occasions: at Bildmuseet, Umeå, Sweden; Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia (both in 2022); and most recently at MACBA Museu d’Art Contemporani de Barcelona, Spain (2023).

[Above and below] Nancy Holt, “Ventilation System” (1985-92). Installation view: Bildmuseet, Umeå, Sweden, 2022. Steel ducts, turbine ventilators, shanty caps, fans, air [materials are locally sourced with each presentation]. Overall dimensions variable [site responsive]. Photograph: Mikael Lundgren. Image Courtesy Holt/Smithson Foundation and Bildmuseet. © Holt/Smithson Foundation / Licensed by Artists Rights Society, New York


The Scholarly Text Program regularly commissions thinkers from various disciplines to write 1,200 words on single artworks by Nancy Holt and/or Robert Smithson. The authors explore how Holt and Smithson’s ideas resonate through artistic and cultural production in the present, exploring topics ranging from geology to ecology, poetry, architecture, science fiction, public art, sculpture, drawing, film, exhibition histories or philosophy. The Scholarly Text Program will publish two essays on each work, presenting differing opinions and approaches. Each new essay includes images selected by the author, a short bibliography, citation references, endnotes pointing to the author’s references and an ISBN. 

Stay tuned for Max Andrews’ upcoming contribution on Smithson’s article “Aerial Art” (1969) next month.

Thank you to Lisa Le Feuvre, Executive Director of the Holt/Smithson Foundation, for the kind invitation to contribute to the foundation’s growing Scholarly Texts Program archive and to William T. Carson, Program Manager and Assistant Curator, for the research assistance. Extended gratitude to Chicago-based artist Nick Raffel for the insightful online studio visit and to Maxwell Graham Gallery, New York.


Abstract
Nancy Holt’s “Ventilation System” (1985-92) is a site-specific installation that exposes the hidden infrastructure of air circulation in buildings. By using industrial-grade ducts and HVAC systems, Holt both celebrates and critiques human dependence on technology. The essay discusses the relationship between “Ventilation System” and environmental concerns. It highlights the tension between functionality and artistic playfulness, and how the work raises awareness of our reliance on energy-intensive systems. Finally, the essay connects Holt’s artistic intervention to current debates about sustainability in the art world, particularly regarding museum energy consumption.

Keywords:
Nancy Holt, ventilation systems, Site-specificity, HVAC systems, sustainability, ecological concerns, System Works, Land art, Conceptual art, Charlotte Posenenske, Post-pandemic world, climate change, Institutional critique, building efficiency, sustainability, air quality, Nick Raffel, Karen Archey, Third wave of Institutional Critique, HVLS fans, Ghislaine Leung, artistic labour, climate crisis, “Constitutional critique”, context-contingent art.   

How to cite
Cánepa Luna, Mariana, “Nancy Holt’s “Ventilation System” (1985–1992).” Holt/Smithson Foundation: Scholarly Texts Chapter 7 (October 2024). ISBN: 978-1-952603-35-8 https://holtsmithsonfoundation.org/nancy-holts-ventilation-system-1985-1992


→ RELATED CONTENTS

  • Archive of Monthly Cover Stories 
  • Other writing by Mariana Cánepa Luna
  • Looking back – Visiting Robert Smithson's “Spiral Jetty” (1970) on 7 September 2004, 7 Sep 2014
  • Publication “Robert Smithson: Art in Continual Movement” (Alauda Publications, 2012) includes an essay by Max Andrews, 28 Mar 2012
  • Cover Story–September 2024: Cover Story, September 2024: THE CREST OF A WAVE, 2 Sept 2024
  • Cover Story–July-August 2024: Rosa Tharrats, Curtain Call, 1 July 2024 
  • Cover Story, June 2024: TERENCE GOWER—DIPLOMACY, URBANISM, URANIUM, 3 June 2024
  • Cover Story, May 2024: Richard Serra & Anne Garde—Threats of Paradise, 30 Apr 2024 
  • Cover Story, April 2024: In Progress–Iratxe Jaio and Klaas van Gorkum, 2 April 2024
  • Cover Story, March 2024: Dibbets en Palencia, 4 March 2024
  • Cover Story, February 2024: Climate Conscious Travel to ARCOmadrid, 1 February 2024
  • Cover Story, January 2024: Curating Lab 2014–Curatorial Intensive, 2 Jan 2024 
  • Cover Story, December 2023: Ibon Aranberri, Partial View, 2 Dec 2023 
  • Cover Story, November 2023: Surucuá, Teque-teque, Arara: Daniel Steegmann Mangrané, 2 Nov 2023
  • Cover Story, October 2023: A tree felled, a tree cut in seven, 2 October 2023

Stacks Image 39


Conclusion of the seven International Volunteer Chapters affiliated to Gallery Climate Coalition



Conclusion of Gallery Climate Coalition’s International Volunteer Chapter Programme

In 2020, as the world grappled with the COVID-19 pandemic, a group of dedicated arts professionals in London formed Gallery Climate CoalitionThe coalition’s primary targets were to facilitate a reduction of the visual art sector’s greenhouse gas emissions by a minimum of 50% by 2030. The first of GCC’s affiliated volunteer groups was formed soon after in Berlin. Following London and Berlin, groups were established in Italy, Taiwan, Los Angeles, Spain (in late 2022), and New York. 

These seven groups became known as the International Volunteer Chapter (IVC) programme, and each advocated for an environmentally responsible arts sector on their local level, either nationally or by being focused on specific cities. Each was composed of professionals from the arts sector volunteering their time to work collectively to develop localised content and resources in line with GCC’s guidelines. Each hosted events and engaged with their immediate networks on environmental issues within the arts sector. Their teams were self-organised and self-motivated whilst remaining closely aligned with GCC’s core targets and commitments. 

Four years later, and despite the intensive work carried out by the IVCs, the increasing funding needs of this ever-widening network, and the challenging funding landscape facing GCC and arts/non-profit organisations more generally, have led to the difficult decision to bring the IVCs programme to a close as of September 2024. 

The IVC programmes have provided invaluable insights over the past years and fostered a formidable international network of dedicated volunteers. Whilst GCC Spain ceases operations as a GCC International Volunteer Chapter (IVC), the committee members remain affiliated to GCC as members, and will continue to contribute to climate action in a more informal capacity.


GCC Spain’s Chronology

Laura Carro and Lucía Mendoza (Galería Lucía Mendoza), Carolina Grau (Independent Curator), Carmen Huerta (TAC7), María Gracia de Pedro (Badr El Jundi Foundation), Mariana Cánepa Luna and Max Andrews (Latitudes) and Nicky Ure (UreCulture) met online for the first time in December 2022. This group ended up founding the International Volunteer Chapter, GCC SpainFurther along, the Committee expanded to include Angela Costantino and Simone Sentall (Fundación TBA21), Miriam Torres and Paula Ráez (Estudio Jurídico Gabeiras & Asociados) and volunteers such as Miriam Callejo.

GCC Spain’s first physical meeting was at ARCOmadrid in February 2023, when it convened an open session at the art fair to inform professionals about GCC’s targets and commitments, advise on practical issues about enrolment in its membership programme, and use helpful tools and resources such as the Carbon Calculator

Meeting at ARCOmadrid in February 2023. Photo: Max Andrews

One of GCC Spain's first achievements was translating GCC’s 11-part Best Practice Actions into Spanish (Acciones Efectivas) and opening its Instagram account.

In June 2023, GCC Spain held its first online Introductory Event (pdf of the press release in Spanish here), presenting GCC’s overall aim and officially launching GCC Spain. The launch was featured in Revista Bonart.

June 2023: Online Introductory Event (press release here

In January 2024 GCC Spain had its first online Assembly to inform members and non-members about the past and future plans of the group.


In February 2024, in collaboration with GCC London and ARCOmadrid, a campaign for #ClimateConsciousTravel was launched through multiple displays at ARCOMadrid, encouraging visitors to take the #TrainToARCOMadrid instead of flying. Additionally, the Gallery Climate Coalition was featured in Exibart magazine, and Carolina Grau, a founding member of GCC Spain, was interviewed about her curatorial work.


Despite these changes, Latitudes remains steadfast in its commitment to GCC’s core activity and commitments. Latitudes remains committed to working with its international community of 1500+ across 50+ countries in reaching a shared goal of 50% reduction of greenhouse gas emissions in the visual arts sector by 2030 (compared to a 2019 baseline). This adherence is essential to maintaining our Individual Active Membership.

You can read a statement about the closure of the IVC programme from GCC Managing Director Heath Lowndes hereFor all other communications and enquiries regarding GCC, please contact info@galleryclimatecoalition.org




RELATED CONTENT:

  • Latitudes renew their Active Membership with Gallery Climate Coalition (GCC), 9 Apr 2024
  • Gallery Climate Coalition en ARCOmadrid, campaña #TrainToARCOmadrid y artículo en la revista Exibart, 11 March 2024
  • Cover Story, February 2024: Climate Conscious Travel to ARCOmadrid, 1 Feb 2024
  • Montse Badia sobre GCC Spain en la revista Bonart #198, 25 Oct 2023
  • Latitudes qualify as an Active Member of the Gallery Climate Coalition (GCC), 10 May 2023
  • Latitudes’ (Full) Environmental Policy Statement, 17 April 2023
  • Cover Story, March 2023: Art, Climate, and New Coalitions, 1 Mar 2023
  • Gallery Climate Coalition (GCC) en el Estado español, 25 Jan 2023

Stacks Image 39


Gallery Climate Coalition en ARCOmadrid, campaña #TrainToARCOmadrid y artículo en la revista Exibart

Paredes en los pabellones 7 y 9 de IFEMA con información sobre GCC en ARCOmadrid 2024. Fotos: Latitudes.


Gallery Climate Coalition (GCC) es una coalición internacional de organizaciones artísticas que trabajan para reducir el impacto medioambiental del sector de las artes visuales. El objetivo principal de GCC es facilitar la reducción de las emisiones de CO2e del sector en un mínimo del 50% para 2030, así como promover prácticas de cero residuos.

GCC desarrolla y comparte recursos prácticos sobre sostenibilidad y proporciona liderazgo en cuestiones medioambientales específicas del sector, aprovechando el poder colectivo de sus +1100 miembros provenientes de 42 países motivados a lograr cambios sistémicos.

A pesar de la influencia única de las artes en el discurso público, las emisiones de carbono y los residuos generados por este sector son desproporcionadamente elevados en comparación con su tamaño económico. Un informe de 2021 (pdf) estimó que las emisiones globales del sector de las artes ascendieron a 70 millones de toneladas de CO2e al año [*], cifra equivalente a las emisiones anuales producidas por todo el país de Marruecos.

Dicho informe, revela que la mayor parte (74%) de la huella del sector se atribuye a las emisiones por viajes de agentes del sector y visitantes (~52 millones de tCO2e). Es por ello que desde GCC se ha iniciado la campaña Climate Conscious Travel para promover la movilidad a eventos culturales con consciencia climática.


Durante la feria ARCOmadrid, y en colaboración con
GCC y GCC Spain, se ha lanzado la campaña en redes #TrainToARCOmadrid instando a sus visitantes a optar por el tren a Madrid en lugar del avión, y a compartir su experiencia de viaje a través de las redes. Para respaldar esta iniciativa, y gracias a la cesión del espacio por parte de ARCOmadrid, se han presentado dos gráficas en los pabellones 7 y 9 de IFEMA,
presentando el trabajo que desarrolla GCC y compartiendo gráficos comparativos que ilustran las emisiones y costos asociados con viajar en avión o en tren desde Barcelona, València, Londres y París a Madrid.

Complementando la presencia física y en línea durante la feria, la revista Exibart ha publicado una entrevista con la comisaria Carolina Grau, miembra fundadora del Comité de GCC Spain, sobre sus proyectos curatoriales y planteamientos entorno a la sostenibilidad, y un artículo donde se profundiza sobre la labor que realiza Gallery Climate Coalition (GCC) y destaca algunas de sus Acciones Efectivas, uno de los varios recursos prácticos que ofrece la organización.




En julio 2023, un informe de Greenpeace Vienna comparando precios de billetes de tren vs. avión en Europa, rezaba que “la ruta Madrid-Barcelona es una de las pocas en las que el tren es rápido, circula con frecuencia y siempre es más barato que el avión. (...) A pesar del perfecto servicio de tren, en 2019 casi 2,6 millones de personas volaron en esta ruta convirtiéndola en el 5º vuelo de corta distancia más utilizado de la UE que cuenta con una alternativa de tren. Prohibir este vuelo completamente inútil ahorraría 176.000 toneladas de gases nocivos de efecto invernadero.” (...) y concluía que “de todos los países analizados, España tiene la mayor densidad de aerolíneas de bajo coste”.

Según un estudio sobre vuelos cortos presentado por Ecologistas en Acción en octubre 2023, un total de 11 rutas aéreas serían potencialmente sustituibles en España [al contar con alternativa ferroviaria], eliminando más de 50.000 operaciones anuales que podrían proporcionar un ahorro de más de 300.000 toneladas de CO2, equivalentes a casi el 10% de todas las emisiones producidas por la aviación doméstica en España. O, dicho de otra manera, eliminar unos 200.000 coches de nuestras calles y carreteras al año.”


El sector del arte por sí solo no puede resolver la crisis a la que nos enfrentamos. Pero sí puede predicar dando ejemplo, sentando precedentes y cambiando hábitos de movilidad, adoptando acciones efectivas contra el cambio climático y utilizando su influencia cultural para introducir reflexiones cruciales sobre nuestros recursos materiales y económicos, entre otros.

GCC Spain es uno de los siete capítulos internacionales de GCC y representa a la coalición a nivel nacional. Contacte con el grupo escribiendo a espana@galleryclimatecoalition.org o siga a @gcc_spain en Instagram.

––––––

[*] La mayor parte (74%) de la huella del sector se debe a las emisiones de los viajes de los visitantes (~52 millones de tCO2e). Se calcula que el 26% (18 millones de toneladas de CO2e) se debe a la construcción, el envío de obras de arte y los viajes de negocios. El impacto digital, aunque sigue siendo una pequeña proporción de la huella, está creciendo. Esta huella anual equivale a la electricidad generada por 8.692 aerogeneradores de 10 MW.


RELATED CONTENT:

  • Cover Story, February 2024: Climate Conscious Travel to ARCOmadrid, 1 Feb 2024
  • Montse Badia sobre GCC Spain en la revista Bonart #198, 25 Oct 2023
  • Latitudes qualify as an Active Member of the Gallery Climate Coalition (GCC), 10 May 2023
  • Latitudes’ (Full) Environmental Policy Statement, 17 April 2023
  • Cover Story, March 2023: Art, Climate, and New Coalitions, 1 Mar 2023
  • Cover Story, February 2023: Soil for Future Art Histories, 2 Feb 2023
  • Gallery Climate Coalition (GCC) en el Estado español, 25 Jan 2023
Stacks Image 39


Latitudes qualifies as Active Members of the Gallery Climate Coalition (GCC)


We are pleased to announce that Max Andrews and Mariana Cánepa Luna of Latitudes have successfully qualified to be in the first cohort of Active Members of the Gallery Climate Coalition (GCC). To achieve this status we had to demonstrate that our organisation had implemented environmental sustainability best practices in line with GCC’s guidelines.

This initiative marks an evolution in GCC’s strategy from awareness raising and community building to one focusing on the near-term tangible progress of members following three key actions:

As part of the initiative, GCC provides qualifying members with a badge (see below) to recognise and celebrate the actions taken. These badges are year-stamped and members have to re-submit annually to retain the latest Active designation. 

Active Membership is neither a certification of sustainability nor a claim that we are doing things perfectly and have all the answers — none of us are at this point. Yet it does entail transparency in the assessment, reporting, and reduction of climate impact, the setting of targets in line with science, and the search for working solutions.

We encourage everyone to visit the Gallery Climate Coalition website to learn more about the initiative and how to get involved.

Moreover, Latitudes is part of the Founding Committee of the recently formed volunteer teamGCC Spain. To get involved, please contact: espana@galleryclimatecoalition.org

Active Membership Press Release, 10 May 2023.


RELATED CONTENTS:


Stacks Image 39


Cover Story, March 2023: Art, Climate, and New Coalitions

  March 2023 cover story on www.lttds.org


The March 2023 monthly Cover Story “Art, Climate and New Coalitions” is now up on our homepage www.lttds.org

“The terminology of environmental consciousness and carbon emissions has shifted significantly in recent decades, from talk of the greenhouse effect to global warming and sustainable development, and now from climate change to the climate emergency.  → Continue reading (after March 2023 this story will be archived here).

Cover Stories are published on a monthly basis on Latitudes’ homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


→ RELATED CONTENTS

  • Archive of Monthly Cover Stories
  • Cover Story, February 2023: Soil for Future Art Histories, 2 Feb 2023
  • Cover Story, January 2023: Claudia Pagès’ ‘Gerundi Circular’, 2 Jan 2023
  • Cover Story, December 2022: “The Melt Goes On Forever. David Hammons and DART Festival, 1 December 2022
  • Cover Story, November 2022: Jorge Satorre’s Barcelona, 1 Nov 2022
  • Cover Story, October 2022: Stray Ornithologies—Laia Estruch, 3 Oct 2022
  • Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
  • Cover Story, July–August 2022:  Incidents (of Travel) from Seoul, 1 July 2022
  • Cover Story, June 2022: Cyber-Eco-Feminist Incidents in Attica, 1 June 2022
  • Cover Story, May 2022: Things Things Say in print, 2 May 2022
  • Cover Story, March 2022: The passion of Gabriel Ventura, 1 March 2022
Stacks Image 39



Cookies Advice: We use cookies. If you continue browsing, we consider that you accept their use. Aviso de Cookies: Utilizamos cookies. Si continua navegando, consideramos que acepta su uso.