'LAND, ART...' publication reviewed in Frieze
Wed, Jun 20 2007
Brian Dillon reviews LAND, ART: A Cultural Ecology Handbook in the summer issue (#108) of Frieze, devoted to ecology. Read the article online.
In that same issue, there is also a feature article by Latitudes' Max Andrews entitled 'The Whole Truth' featuring the work of Mierle Laderman Ukeles, Christina Hemauer & Roman Keller, Maria Thereza Alves, among others.
Art Basel 2007 in images
Wed, Jun 20 2007<a data-flickr-embed="true" href="https://www.flickr.com/photos/lttds/albums/72157622042113281" title="Art Basel 2007"><img src="https://live.staticflickr.com/2619/3864039485_e099a005b8_z.jpg" width="640" height="480" alt="Art Basel 2007"></a><script async src="//embedr.flickr.com/assets/client-code.js" charset="utf-8"></script>
All images: Latitudes | www.lttds.org
Venice Biennale 2007 - Arsenale
Wed, Jun 20 2007'Think with the Senses – Feel with the Mind. Art in the Present Tense': Arsenale
All images: Latitudes | www.lttds.org
Qui. Enter Atlas – International Symposium of Young Curators
Wed, Jun 20 2007
Latitudes presented a paper entitled MyLife/SecondSpace: A “Web 2.0” paradigm for artistic and curatorial practice? at 'Qui. Enter Atlas – International Symposium of Young Curators' under the theme 'Art in the Landscape of the Media' coordinated by artist Dara Birnbaum 3–5 June 2007, at the GAMeC, Bergamo.
Since as recently as 2005, there has been an unprecedented surge of entrepreneurship and innovation – fuelled by vast speculative venture capital investments largely in Silicon Valley – concerning so-called Web 2.0 applications. We’ve all heard of, and probably use, facilities such as YouTube, eBay, Wikipedia, del.icio.us, Skype, MySpace, flickr, Facebook, Second Life and so on – but what are some of their common attributes? How might they be reflected in artistic practice, curatorial practice – and the art industry? Sidestepping Nicolas Bourriaud’s Relational Aesthetics (1998 – a long time ago in the wide world of the web) we looked at projects such as Allora and Calzadilla’s Radio Re-volt (2004); Rirkrit Tiravanija’s Untitled (the air between the chain-link fence and the broken bicycle wheel) (2005); the exhibition Spinning the Web – the eBay Connection; and CAC TV, the initiative of the Centre for Contemporary Art in Vilnius, through the behavioural and terminological tropes of web 2.0. As a conclusion, we addressed the technosocial definition of objects and users developed by Bruce Sterling in his book Shaping Things (2005).
The invited curators were: Binna Choi, Sebastian Cichocki, Tom Morton, Nina Zimmer, Sarah Carrington, Ovul Durmusoglu, Manuela Moscoso, Huib Haye Van Der Werf, Cecilia Alemani, Craig Buckley, Ana Vejzovic Sharp, Elena Filipovic, Nav Haq, Latitudes.
Jury for the Lorenzo Bonaldi – Enter Prize: Giacinto Di Pietrantonio, Dan Cameron and Ralph Rugoff.
Since as recently as 2005, there has been an unprecedented surge of entrepreneurship and innovation – fuelled by vast speculative venture capital investments largely in Silicon Valley – concerning so-called Web 2.0 applications. We’ve all heard of, and probably use, facilities such as YouTube, eBay, Wikipedia, del.icio.us, Skype, MySpace, flickr, Facebook, Second Life and so on – but what are some of their common attributes? How might they be reflected in artistic practice, curatorial practice – and the art industry? Sidestepping Nicolas Bourriaud’s Relational Aesthetics (1998 – a long time ago in the wide world of the web) we looked at projects such as Allora and Calzadilla’s Radio Re-volt (2004); Rirkrit Tiravanija’s Untitled (the air between the chain-link fence and the broken bicycle wheel) (2005); the exhibition Spinning the Web – the eBay Connection; and CAC TV, the initiative of the Centre for Contemporary Art in Vilnius, through the behavioural and terminological tropes of web 2.0. As a conclusion, we addressed the technosocial definition of objects and users developed by Bruce Sterling in his book Shaping Things (2005).
The invited curators were: Binna Choi, Sebastian Cichocki, Tom Morton, Nina Zimmer, Sarah Carrington, Ovul Durmusoglu, Manuela Moscoso, Huib Haye Van Der Werf, Cecilia Alemani, Craig Buckley, Ana Vejzovic Sharp, Elena Filipovic, Nav Haq, Latitudes.
Jury for the Lorenzo Bonaldi – Enter Prize: Giacinto Di Pietrantonio, Dan Cameron and Ralph Rugoff.
UOVO/14 GREEN - Launching 17 June 2007
Fri, Jun 1 2007
The magazine will be launched in the Art Basel's Art Lobby section on 17 June (4-5pm). More information about the issue here – it's almost 500 pages!
Full Art Lobby Programme here (pdf 87kb)
Christian Jankowski – Living Sculptures
Wed, May 30 2007Christian Jankowski's 'Living Sculptures' on display at Las Ramblas for the next two-weeks outside Centre d’Art Santa Mònica, Barcelona.
On documenta 12, Saab and the list of participating artists
Sat, May 26 2007
documenta 12 artistic Director Roger M. Buergel on the Saab 9-3 Convertible. "Real coolness comes from within: on the outside, my car shows the formal elegance and effortlessness of a white cloud."
And here is the suspected artist list, now also on the German documenta 12 wikipedia page, uncovered a few weeks ago by artnet's Ludwig Seyfarth's detective work.
Ferran Adrià, Saâdane Afif, Ai Wei Wei, Eleanor Antin, Ibon Aranberri, Monika Baer, Maija Bajevic, Yael Bartana, Ricardo Basbaum, Johanna Billing, Cosima von Bonin, Trisha Brown, James Coleman, Alice Creischer, Ines Doujak, Lukas Duwenhögger, Harun Farocki, Peter Friedl, Andrea Geyer, Sheela Gowda, Simryn Gill, Dimitrij Gutow, Sanja Ivekovic, Emily Jacir, Amar Kanwar, Abdoulaye Konaté, Jirí Kovanda, Zofia Kulik, Louise Lawler, Zoe Leonard, Churchill Madikida, Olga Neuwirth, J.D. Okhai Ojeikere, Charlotte Posenenske, Florian Pumhösl, Yvonne Rainer, Gerhard Richter, Gerwald Rockenschaub, Martha Rosler, Sakarin Krue-On, Dierk Schmidt, Allan Sekula, Ahlam Shibli, Andreas Siekmann / Christian von Borries, Nedko Solakov, Jo Spence, Hito Steyerl, Jürgen Stollhans, Alina Szapocznikow, Imogen Stidworthy, Lidwien van de Ven, Simon Wachsmuth, Xie Nanxing and Artur Zmijewski.
Peter Fend ARABIAN GULF INTEGRATION ROOM
Thu, May 24 2007"To those interested in the Basin of the Gulf installation at the 8th Sharjah Biennial (2007), in the Expo Center: here is a plan of the installation, with items numbered, and a price list for realization of the items on site. The prices are based, for larger site projects, on satellite investigations into similar-scale constructions, and, for smaller site projects, on prior budgets which I had prepared. Inquiries are welcome on all modeled and budgeted projects. Contracts are welcome, too. I am ready to discuss these estimate prices and project schedules with engineering and regional-planning firms in the area. The large figures are based on consultations with engineers during the years of satellite monitoring of similar-scale projects in the Arabian Gulf Basin and elsewhere. The small figures given are based on earlier project budgets."
ARABIAN GULF INTEGRATION ROOM AGIR Meaning, in French, “to act”.
Displaying how to make a cohesive whole of the Arabian Gulf as a basin.
DRAFT PRICE LIST
1. Convex-Disc Ramp Stepdown, near Birecik, Turkey $300 MILLION
2. Wadi el Batin Cut-Through $800 MILLION (using aircraft)
3. Karun River Zig-Zags $1 BILLION (undershot waterwheels)
4. Nafuds cut with Multi-channel canals $300 MILLION
5. Sea-level Flushing, into UAE, or even to the Umm as Samim $1 BILLION
6. Offshore Biomass Rig: Gracilaria $100,000
7. Satellite assessment of marine bioproductivity using SeaWiFS data, through Global Feed $20,000
8. Cones, Cages and Wallows near Salt Pans (Sabkhas) $150,000
9. Flushing out Alluvial Fans at the Head of the Gulf Based on satellite assessment of Iraqi projects $2 BILLION
10. Convex-Disc Marsh Zig-Zag Strcture, for mountains $300,000
11. Wadi Yudayyah Hydrometric Area, site for projects Example: clearing the mouth to yield seagrass $20,000/month
12. Feather-Production Sequence, from urban wastes Example: keratin dispersion in swamps or oases $10,000/month
Dispersed throughout space. Undershot Waterwheels, to replace hydroelectric dams $20,000 per test
Inshore Biomass Rig: Microalgae $20,000