LONGITUDES

Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Launch of the monograph 'Lara Almarcegui. Projects 1995–2010', edited by Latitudes at 'The Dutch Assembly', ARCOmadrid, 15 February, 19-20h

Cover of the monograph edited by Latitudes. Photo: Latitudes.

Title: 'Lara Almarcegui. Projects 1995–2010'
Editor: Latitudes
Publisher & Design: Archive Books, Berlin
Texts: Cuauhtémoc Medina, Lars Bang Larsen and Latitudes
Format: 224 pages, colour, 21 x 27.5 cm. Black-and-white and colour illustrations. Flexicover, English.
ISBN: 978-88-95702-05-6

Published by Berlin-based Archive Books, 'Lara Almarcegui. Projects 1995–2010' is the first monograph presenting an overview of the last fifteen years of Almarcegui's artistic practice. The main part of the publication is formed by detailed documentation of the artist’s works and publications companioned by new descriptive texts written by the editors and the artist. These are presented in the following sections: ‘Demolition’, ‘Excavation’, ‘Construction materials’, ‘Ruins’, ‘Wastelands’ (survey, access, and preservation). (+ info...)

Lara Almarcegui (1972, Zaragoza. Lives and works in Rotterdam, the Netherlands) has had solo shows at Künstlerhaus Bremen, Bremen (2011); Centro Andaluz de Arte Contemporáneo, Sevilla (2011); TENT, Rotterdam (2011); Secession, Vienna (2010); Ludlow 38, New York (2010); the Centro Arte Contemporaneo, Málaga (2007), FRAC Bourgogne, Dijon (2004) and at INDEX, Stockholm (2003). She participated in group exhibitions such as Radical Nature – Art & Architecture for a Changing Planet 1969-2009, Barbican, London (2009); Taipei Art Biennial, Taiwan (2008); Estratos, Murcia (2008); Sharjah Art Biennial 8, Sharjah (2007); 27th São Paulo Bienal, São Paulo (2006); Frieze Art Fair Projects, London (2006) and the Liverpool Biennial (2004). In 2008 she presented the guidebook 'Ruins in the Netherlands XIX-XXI' published by Episode. Almarcegui studied Fine Arts in Cuenca (1991–95) and at the Ateliers 63, Amsterdam (1996–98). She has recently been awarded the Dolf Henkes Prize, Rotterdam (2011). In 2012 Almarcegui will have solo shows at the Centro de Arte Dos de Mayo, Móstoles and the Museo de Arte Contemporáneo de Castilla y León (MUSAC).


Spreads of the publication:
















 

The publication has been possible thanks to the support of the former Fonds BKVB (Netherlands Foundation for Visual Arts, Design and Architecture), currently Mondriaan Fund. 

All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)


Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
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Interview with Erick Beltrán & Jorge Satorre published in 'Atlántica' magazine #52

Installation view of 'Modelling Standard' at Galeria Joan Prats, Barcelona. Jorge Satorre and Erick Beltrán (Illustrations by Jorge Aviña), “Modelling Standard”, 2010. 58 photocopies pasted on the wall. Variable dimensions. Courtesy of the artists.

In the current issue of the 'Atlántica' magazine #52 (to be launched on 16 February at 4pm, at the Sala de Amigos, Hall 8, ARCOmadrid), there is an interview between Erick Beltrán, Jorge Satorre, and Latitudes conducted in November 2011 during the installation week of the exhibition at Galeria Joan Prats, Barcelona. Below is an abstract of the 4,000 words on phantom limbs, microhistory, devil's drool, apophenia, collaboration, information systems, Sigmund Freud's dog Jo-Fi, collage, döppelgangers, Fantomas, mirror neurons, unorthodox research methods, validation...

– PART I –

Latitudes (L): Your exhibition at Galería Joan Prats in Barcelona is the latest installment of your Modelling Standard project, as well as being a group show which includes the work of other artists. [1] Where should we begin the story, where does it start for you?

Jorge Satorre (JS): At the core of Modelling Standard is our interest in the methodology proposed by Italian microhistory during the seventies as well as its precedents. Specifically, the essay of Carlo Ginzburg ‘Clues: Roots of an Evidential Paradigm’, which was published in 1979, functioned as one of the main pillars of our project. In the text, he tried to explain a new way of making history in which there are three basic methods to follow: first, reducing scale; second, in-depth investigations of the few sources at hand; and third, exploitation of hints and traces – working like a detective. [2] Ginzburg supported his theory by alluding to the fathers of this paradigm: Sigmund Freud, Arthur Conan Doyle, and Giovanni Morelli. These three people worked in very different fields, though they shared a medical background and operated in the manner of a detective: deciphering clues through symptoms and finding hidden meaning in details. From this trigger, Erick and I started opening up a web of relations.

L: It is now a fascinatingly complex project which involves a whole host of characters and has evolved through an exhibition at FormContent in London in 2010 and a comic book that you produced for Casa Vecina in Mexico City earlier this year. Integral to the project are the amazing drawings of Jorge Aviña, who we’ll come onto specifically in a moment, which you commissioned as illustrations of certain concepts. But as Charles Fort said, ‘one measures a circle, beginning anywhere’... so, let’s pick one drawing and one character – Vilayanur Ramachandran?


Erick Beltrán and Dr. Vilayanur Ramachandran. Courtesy the artist.

Erick Beltrán (EB): Ramachandran represents a really curious phenomenon that gets further explored in the comic – the analyses of the phantom limb and mirror neurons. He found out that there are cells in the brain that possess a representative image of our body. If those cells are electrically stimulated, one starts to feel different parts of the body. Via Wilder Penfield’s understanding of the part of the brain called the cortical homunculus, neuroscientists concluded that this representation is distorted, it’s not to scale with how the body really is. Some parts have more sensory neurons than others, hence they appear bigger in the brain’s body image: for instance, the hands of ‘Penfield’s homunculus’ are too big and the torso is way too small. 

L: What is the relation between the individual line drawings and the comic?

JS: For instance, the misperception Erick mentioned really became the centre of the comic, which is titled El Hallazgo del Miembro Fantasma (The Discovery of the Phantom Limb). The 58 individual drawings were the first part of the project and are pasted on the wall like posters here in Barcelona as they were similarly in London. Their structure and relations are set out more like a draft. The comic is basically a story talking about the power of the images in which we incorporated some of the characters from the first part of the project. 

L: The comic format must have posed a different challenge; rather than jumping from drawing to drawing as with the talk-performances you have done during the openings of the projects, a narrative has to be set out and digested linearly?

EB: We made a sort of ‘game of shadows’ with the comic by encompassing the narrative and the visual part. A novel however is something we are going to do at some point.

JS: The whole project has also set out a new problem for us: we began with the analysis of microhistory, yet as we mentioned before, now we realise this has evolved into considering the power of images. All the characters somehow tackle this problem in one way or another, and with the comic, we created a detective story where the characters are victims and perpetrators of a crime related to images. It has been a ping-pong of ideas between us, but we have also let chance be a part of the process. We have had to confront our decisions and integrate characters. Jorge Aviña is the illustrator who, as you said, has produced all the drawings for the project, and we realised that he had a lot to do with Fantomas, a fictional character in a Mexican comic series of the 1960s, based on the French character Fantômas. One of the writers of Fantomas, Gonzalo Martré, who is now 84, becomes the criminal in our comic and also is the co-writer of El Hallazgo del Miembro Fantasma.  

EB: By then we had realised we had gathered a sort of ‘dream team’ of what Fantomas could represent today. 

Jorge Satorre and Erick Beltrán (Illustrations by Jorge Aviña), “Modelling Standard”, 2010
58 photocopies pasted on the wall. Variable dimensions. Courtesy of the artists.


[1]  Modelling Standard, an exhibition organized by Jorge Satorre and Erick Beltrán. With the participation of Christoph Keller, Raphaël Zarka, Paloma Polo, Bernardo Ortiz, Efrén Álvarez, Meris Angioletti, Jose Antonio Vega Macotela, Vilayanur Ramachandran, Jorge Aviña and Florian Göttke. Galería Joan Prats, Barcelona, November–December 2011.
[2]  Carlo Ginzburg, ‘Clues: Roots of an Evidential Paradigm’, in Clues, Myths, and the Historical Method, translated by John Tedeschi and Anne C. Tedeschi (Johns Hopkins University Press, 1989), p. 102. The Italian edition is ‘Spie: Radici di un paradigma indizario’, in Aldo Gargani and Carlo Ginzburg, Crisi della ragione. (Einaudi, 1979).
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Pasado, presente e (incierto) futuro del Centre d'Art Contemporani de Barcelona

Selección de artículos recientes entorno al pasado, presente e (incierto) futuro del Centre d'Art Contemporani de Barcelona:

"Fontcuberta dice que cancelar el Canòdrom es un paso hacia un sistema artístico "totalitario", La Vanguardia, 6 Febrero 2012 (incluye video acción reivindicativa)

Roberta Bosco, "Los artistas visuales consideran pedir la dimisión de Ciurana", El País, 6 Febrero 2012

Bea Espejo, "El Canódromo en blanco", El Cultural, 6 Febrero 2012

(...) A las 16h, una manifestación convocada por la Asociación de Artistas Visuales de Catalunya pretende presionar a los políticos y hacerlos cambiar de opinión. Se leerá un manifesto y se pintarán de blanco los cristales del Canódromo, como se hace con los escaparates de los establecimientos cerrados. – Bea Espejo

Fotos: Latitudes | www.lttds.org


Se empiezan a pintar los cristales del Canòdrom...

 
Lectura del manifiesto (leer aquí, en catalán) por Joan Fontcuberta, Presidente de l'Associació d'Artistes Visuals de Catalunya (AAVC):

 

Los medios entrevistan a Francesca Llopis, Vocal de l'Associació d'Artistes Visuals de Catalunya (AAVC):




...y una hora después...llegan los camiones de BCN neta



Elena Vozmediano, El día después, blog 'Y que tú lo veas', 3 febrero 2012

Acció en defensa del Canòdrom com a Centre d’Art Contemporani, blog Associació d’Artistes Visuals de Catalunya

Roberta Bosco, "Moritz Küng, el director amordazado", El País, 1 Febrero 2012


"El arte en Barcelona", Cartas al director, La Vanguardia, 23 Enero 2012

Elena Vozmediano, El neodirigismo catalán, blog 'Y que tú lo veas', 21 Noviembre 2011


CONTENIDOS RELACIONADOS:
  • Gone with the wind: on the 'art crunch' and the Centre d'Art de Barcelona, the saga continues... 16 December 2008
  • Notas presentación de Latitudes expuestas durante las "Jornadas internacionales de debate para El Canòdrom, el nuevo Centro de Arte en Barcelona", 6–7 Julio 2009 (10 julio 2009)
  • Jornadas entorno al Canòdrom, el futuro Centro de Arte en Barcelona, 6–7 Julio 2009 (3 julio 2009)
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Mobile-friendly version of the 'The Dutch Assembly' ARCOmadrid programme


'The Dutch Assembly''s day-by-day programme is available here for mobile devices: http://www.lttds.org/mobile/dutchassembly

Follow the programme on Twitter: #NLassembly

 –

ARCOMadrid (Ifema)

Feria de Madrid
28042 Madrid, Spain
MAP + Getting there

Professional preview: Wednesday 15 and Thursday 16 February, 12 noon–9pm
General public: Friday 17, Saturday 18 and Sunday 19
February, 12 noon–8pm
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'Case Report' by Lorenzo Sandoval winner of the first NoguerasBlanchard Curatorial Open Call 2012

 View of NoguerasBlanchard space. Courtesy: NoguerasBlanchard

[UK]

NoguerasBlanchard is pleased to announce that the project 'Case Report' by Lorenzo Sandoval has been selected for the 2012 Curatorial Open Call.

The application deadine ended on 31 December 2011, receiving a total of 38 proposals, of which 20 were international and 18 from Spain.

The jury (composed of Latitudes (Max Andrews and Mariana Cánepa), Jacqueline Uhlmann, Juan Canela and Direlia Lazo) were unanimous in selecting
'Case Report'. "Lorenzo Sandoval's project promises to be a generous and curious exploration of ethnography in contemporary practice as seen through the work of a carefully selected group of artists", the jury noted. "The proposal was impressive for its synthesis of a range of artistic approaches (performance, sound, sculpture, works on paper, and film) with a methodological context drawing on rational and irrational attempts to document and interpret the world." 

Lorenzo Sandoval was born in Madrid in 1980, and has specialized in Audiovisual Studies in Fine Arts at the Universidad Politécnica de Valencia, for which he is currently writing his MA final thesis. Following his studies, Sandoval has been granted residencies in Berlin, Porto and Nairobi. At present he lives in Berlin, where he collaborates on a regular basis with LaTejedoraCCEC, BarraDiagonal and Projektraum of Altes Finanzamt. In Spain, he has developed projects for La Casa Encendida in Madrid or Can Felipa in Barcelona. http://lorenzosandoval.blogspot.com/

'Case Report' is scheduled to open in
NoguerasBlanchard on May 24th, 2012


[ES]

NoguerasBlanchard se complace en anunciar que el proyecto 'Case Report' de Lorenzo Sandoval ha sido seleccionado ganador del 2012 Curatorial Open Call.
 

Se recibieron 38 propuestas de las cuales 20 fueron de origen internacional y 18 del territorio español.

El jurado (formado por
Latitudes -Max Andrews y Mariana Cánepa-, Jacqueline Uhlmann, Juan Canela y Direlia Lazo) fué unánime en su elección de 'Case Report'. "El proyecto de Lorenzo Sandoval promete ser una exploración generosa de la etnografía en la práctica artística contemporánea a través de una cuidada selección de artistas" ha escrito el jurado. "La propuesta nos impresionó por su síntesis de una amplia gama de disciplinas artísticas (performance, sonido, escultura, obra sobre papel y película) proponiendo un contexto metodológico que parte de intentos racionales e irracionales de documentar e interpretar el mundo".

Lorenzo Sandoval nació en Madrid en 1980, y se ha especializado en estudios Audiovisuales en Bellas Artes en la Universidad Politécnica de Valencia, donde se encuentra finalizando su tesina de Máster. Después de sus estudios, Sandoval ha recibido becas de residencia en Berlín, Oporto y Nairobi. Hoy en día vive en Berlín, donde colabora habitualmente con LaTejedoraCCEC, BarraDiagonal y Projektraum of Altes Finanzamt. En España ha desarrollado proyectos para La Casa Encendida en Madrid, y Can Felipa en Barcelona.
http://lorenzosandoval.blogspot.com/

Está previsto que 'Case Report' se inaugure el 24 de mayo de 2012.

NoguerasBlanchard
c/ Xuclà 7
08001 Barcelona · Spain
www.noguerasblanchard.com
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'The Dutch Assembly' programme details for ARCOmadrid 2012

Within the context of this year's ARCOmadrid programme FOCUS: The Netherlands, Latitudes was invited to curate and convene "The Dutch Assembly" by invitation of the Mondriaan Fund and the Embassy of the Netherlands in Madrid. Taking place throughout the five days of the fair within a specially-commissioned structure designed by Jasper Niens and Thijs Ewalts, the programme of "The Dutch Assembly" comprises thirty talks, book presentations, performances and screenings involving institutions and organizations from the Netherlands. (+ info...)

Rendering of the 'Superstructure', 2011. Courtesy Jasper Niens and Thijs Ewalts.
 

WEDNESDAY 15 FEB 
13–14h: Jeremiah Day, artist, Amsterdam/Berlin;
14–15h: Stedelijk Museum Amsterdam. Delegate: Leontine Coelewij, Curator;
15–16h: Stedelijk Museum Bureau Amsterdam. Delegate: Jelle Bouwhuis, Curator; 
16–17h: Nathaniel Mellors, artist, Amsterdam/London;
17–18h: Van Abbemuseum, Eindhoven. Delegate: Steven ten Thije, research curator;
18–19h: Marres, Maastricht. Delegate: Lisette Smits, independent curator;
19–20h: [*] Lara Almarcegui, artist, Rotterdam.
 
THURSDAY 16 FEB
13.30–15h: Official opening of "FOCUS: The Netherlands" in the presence of the Ambassador of The Netherlands, Mr. Peter P. Wulfften Palthe and Madeleine van Lennep, Deputy Director Mondriaan Fund. "FOCUS: The Netherlands is made possible with the support of the Mondriaan Fund and the Embassy of the Netherlands in Madrid. 
15–16h: [*] Javier Hontoria, critic and independent curator, Madrid;
16–17h: De Appel arts centre, Amsterdam. Delegates: Ann Demeester, Director and Nathalie Hartjes, coordinator of the Curatorial Programme and the Gallerist Programme; 
17–18h: Manifesta – The European Biennial of Contemporary Art, Amsterdam. Delegate: Cuauhtémoc Medina, Curator Manifesta 9, Limburg, Belgium; 
18–19h: Wendelien van Oldenborgh, artist, Rotterdam; 
19–20h: If I Can't Dance, I Don't Want To Be Part Of Your Revolution, Amsterdam. Delegate: Frédérique Bergholtz, co-founder and director.
-->

FRIDAY 17 FEB

13–14h: Tropenmuseum, Amsterdam. Delegate: Anke Bangma, Curator Contemporary Art; 

14–15h: De Vleeshal, Middelburg. Delegate: Lorenzo Benedetti, Director; 
15–16h: Casco – Office for Art, Design and Theory, Utrecht. Delegate: Yolande van de Heide, Project Coordinator; 
16–17h: Witte de With Center for Contemporary Art, Rotterdam. Delegate: Zoë Gray, Curator 2006–11; 
17–19h: Kunstverein, Amsterdam/New York/Milan. Delegates: Krist Gruijthuijsen and Maxine Kopsa, Directors, and Gabriel Lester, artist, Amsterdam.

SATURDAY 18 FEB

13–14h: TENT, Rotterdam. Delegate: Mariette Dölle, Artistic director and Eva González-Sancho, independent curator and former director FRAC Bourgogne, Dijon; 

14–15h: Stroom Den Haag, The Hague. Delegate: Arno van Roosmalen, Director; 
15–16h: [*] Jan van Eyck Academie, Maastricht. Delegate: Adrià Julià, artist and 2011 Researcher Fine Art; 
16–17h: Museum De Paviljoens, Almere. Delegates: Macha Roesink, Director and Annick Kleizen, Curator; 
17–18h: SKOR | Foundation for Art and Public Domain, Amsterdam. Delegate: Theo Tegelaers, Chief Curator; 
18–19h: De Hallen, Haarlem. Delegate: Xander Karskens, Curator, De Hallen and 'Focus: The Netherlands' at ARCOmadrid.

SUNDAY 19 FEB:  

13–14h: Fucking Good Art. Delegates: Rob Hamelijnck and Nienke Terpsma, artists/editors; 

14–15h: [*] Rijksakademie van beeldende kunsten, Amsterdam. Delegates: Philippe Pirotte, curator and art critic, Antwerp, and senior advisor at the Rijksakademie and Rubén Grilo, artist and current resident;
15–16h: BAK, basis voor actuele kunst, Utrecht. Delegates: Maria Hlavajova, artistic director and Rabih Mroué, artist, Beirut; 
16–17h: Expodium, Utrecht. Delegate: Bart Witte, Director; 
17–18h: W139, Amsterdam. Delegate: Tim Voss, Director and Sam de Groot, graphic designer;  
18–19h: [*] De Ateliers, Amsterdam. Delegate: Paloma Polo, artist and 2007–9 participant. 
-->


All the events will be in English, except those marked with an asterisk (*), which will be in Spanish. Programme may be subject to change.
 

More info: http://www.lttds.org/projects/dutchassembly 

Mobile-friendly version: http://www.lttds.org/mobile/dutchassembly/ 
Browse and download 'The Dutch Assembly' programme on Issuu:




ARCOMadrid (Ifema)
Feria de Madrid
28042 Madrid, España
MAP + Getting there
 

Professional preview: Wednesday 15 and Thursday 16, 12 noon–9pm
 
General public: Friday 17, Saturday 18 and Sunday 19, 12 noon–8pm  

Follow 'The Dutch Assembly' on Twitter: #NLassembly 
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Newsletter #40 – January / enero 2012


Newsletter en Español  |  Newsletter in English

FORTHCOMING... 
'The Dutch Assembly / Asamblea de los Países Bajos', ARCOmadrid, 15–19 February 2012, Madrid (+ info...)
Follow us on Twitter: #NLAssembly


LAST CHANCE! UNTIL 15 JANUARY 2012...
'Amikejo: Fermín Jiménez Landa & Lee Welch', fourth and final exhibition of the cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León,
24 September 2011–15 January 2012.    
Follow us on Twitter: #amikejo


RECENT BLOG POSTS... 
Further update: Contents of the forthcoming publication 'Amikejo' – Available in late January 2012 (21 December 2011); Resolución Convocatoria 2012 de Artes visuales y Tutorial de la Sala d'Art Jove (7 December 2011)...

For more info go to:

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Further update: Contents of the forthcoming publication 'Amikejo' – Available in April 2012

We are currently finalising and proof-reading the 'Amikejo' publication (see previous posts here and here), which concludes the year-long exhibition cycle at the Laboratorio 987, MUSAC (Fermín Jiménez Landa & Lee Welch's show is on view until 15 January 2012). The volume will be available in Spring 2012 and will be distributed by Mousse Publishing.

Below an excerpt of Theo Beckers's essay 'Free time: The rise and fall of a social project', commissioned by 'Amikejo' artists Iratxe Jaio and Klaas van Gorkum to complement the publication section dedicated to their multi-part project 'Producing time in between other things' (2011), which revolves around the changing values of labour and property:


"Have you ever heard the story of the African fisherman? In the early light of dawn, he would set out to sea in his little boat, fish for a few hours, return to port, sell his catch and then spend the rest of the day in the shade of a tree on the beach, contemplating the meaning of life and other pleasant thoughts. An economist from the World Bank appeared one day and asked him why he didn’t take advantage of all that spare time by fishing longer, and going further out to sea with a larger boat. This would bring in more fish and thus more profit. In the long run, this would enable the fisherman to buy more and even bigger boats, and even hire people to do the work for him. Eventually, he could make so much money that he wouldn’t need to work anymore and could afford to lie on the beach the whole day. At which the fisherman laughed and asked the economist, “Why would I go through all that trouble?” The history of Western society’s relationship with time clearly illustrates, however, that it is the economist who had the last laugh, not the fisherman."


Theo Beckers was Professor of Leisure Studies at Tilburg University and is now on the faculty of the Tilburg Sustainability Center, the Netherlands, and Visiting Professor at the Chinese Academy of Sciences, Beijing. Translated from the Dutch by Klaas van Gorkum.


Further publication details:



Title | Título 

'Amikejo'



Editor | Edita

Latitudes



Publisher & Distributor | Publica y distribuye


Mousse Publishing and MUSAC



Format | Formato 


22,5x15,5cm, 216 pp., hardcover
 


Language | Idiomas 


English/Spanish

 

Editorial Coordination | Coordinación editorial

Latitudes and Carlos Ordás
 



Production | Producción

Bruna Roccasalva 


Graphic design | Diseño gráfico

Studio Mousse — Marco Fasolini, Fausto Giliberti, Andrea Novali, Francesco Valtolina
 
 


Texts | Textos

Giorgio Agamben, Theo Beckers, Latitudes, Prof. Peter Osborne, Georges Perec, Prof. Dr. Menno Schilthuizen, Ryszard Zelichowski
 


Translation | Traducción

Marzena Beata Guzowska (Polish—English); Klaas van Gorkum (Dutch—English); e-verba (English—Spanish)
 
   


Copy-editing | Correcciones

Latitudes

Johanna Bishop
English proof-reading of Ryszard Zelichowski’s text (unabridged version) Martin Blaszk
 
   


Distribution | Distribución

Mousse Publishing
 
 


Printing and binding | Impresión y encuadernación

Grafiche Artigianelli, Brescia
 
   


Print-run | Tiraje

1,200 copies
  



ISBN

9788896501832
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Resolución Convocatoria 2012 de Artes visuales y Tutorial de la Sala d'Art Jove



Con fecha 24 de noviembre de 2011, reunidos en la Dirección general de Juventud (C. Calàbria 147, Barcelona) el jurado formado por Daniel G. Andújar, artista visual y teórico del arte, vicepresidente primero de la Asociación de Artistas Visual de Cataluña; Dora García, artista visual, Max Andrews y Mariana Cánepa, miembros de Latitudes, oficina de comisariado; Frederic Montornés, crítico de arte y comisario independiente, Javier Rodrigo, investigador y educador de Arte; Oriol Fontdevila, miembro del equipo gestor de la Sala de Arte Joven y Toni Reig, Director general de Juventud que actúa como presidente del jurado; resuelven la siguiente selección de proyectos en relación a las convocatorias de Artes visuales y Tutorial de la Sala d'Art Jove:

Proyectos de Creación:
  1. Petia Cervera, Sublevación de Abril
  2. Lúa Coderch, Eco, The girl With no Door on the Mouth
  3. Juan Crespo, Estudios históricos
  4. Eloi Dalmau, Recitales para interfono
  5. Jordi Ferreiro, El traje nuevo del emperador
  6. Paula Giménez, Verano 
  7. Mercedes Mangrané, Piedras
  8. Anna Moreno, Select the Right Location
  9. Quim Packard, L’última institució
  10. David Proto, Memetro
  11. Barbara Sánchez, Bibliografía
  12. Adrianna Wallis, Rare et Magnifique
Proyectos de Investigación:
  1. Alba Aguirre, Marta Bonhora, Belen Genereco, Anna Margo, Mar Montobbio, “/”
  2. Laura Benítez, Alicia Escobio, Lola Lasurt, Primer intent
Proyectos de educación:
  1. Aurelio Castro Varela, Proyecciones urbanas. El 15-M y el trabajo de la ficción
  2. Joanna Empain, Ricard Escudero, Simonetta Gorga, Encuentros y desencuentros entorno a la práctica artística y educativa en un proyecto expositivo con estudiantes...
Proyectos de edición:
  1. Enric Farrés, Quim Packard, Grau d'Assistent d'Artista Professional
  2. Ignasi Prat, El mundo de los vencedores. Las casas de los poderosos del franquismo
Tutorial:
  1. José Antonio Delgado, Fito Conesa, Judit Vidiella
  2. Francisco Peinado, Rachel Fendler (Cultural Nodes)
  3. Andrea Rodríguez, Verónica Valentini
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Newsletter #39 – December / diciembre 2011


Newsletter en Español  |  Newsletter in English

FORTHCOMING... 
'The Dutch Assembly / Asamblea de los Países Bajos', ARCOmadrid, 15–19 February 2012, Madrid (+ info...)
Follow us on Twitter: #NLAssembly

ALSO THIS MONTH...
Three juries: for the 2012 Open Call at the Sala d'Art Jove; the GAC Awards given by the Catalan Gallery Association (Award ceremony: 31 January 2012 at MACBA); and the Curatorial Open Call 2012, which invites individuals or collectives to submit a proposal for curating an exhibition between June and July of 2012 at NoguerasBlanchard. 

UNTIL 15 JANUARY 2012...
'Amikejo: Fermín Jiménez Landa & Lee Welch', fourth and final exhibition of the cycle 'Amikejo' at the Laboratorio 987, Museo de Arte Contemporáneo de Castilla y León, León,
24 September 2011–15 January 2012.    
Follow us on Twitter: #amikejo

RECENT BLOG POSTS... 

For more info go to:

http://issuu.com/latitudes/docs 
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