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Image description
Jorge Satorre, ”Arruinar las baldosas II" (2016), en la exposición “Zigzag Incisions” (2017), CRAC Alsace. Cortesía del artista y LABOR, Ciudad de México. Foto: Aurélien Mole.

Jorge Satorre, Detail of ”Decorar el agujero (Altkirch)” (2021). Courtesy of the artist and LABOR, Mexico City. Photo: Aurélien Mole / Detail of “Ricardo” (2020). Courtesy the artist and CarrerasMugica, Bilbao. Photo: Ander Sagastiberri.

Curators: “Ria” by Jorge Satorre, Museo Centro de Arte Dos de Mayo, Móstoles (Madrid), 1 February–31 August 2025

Opening: 1 February 2025, 12–3pm

Ria”, Jorge Satorre’s first monographic museum exhibition in Spain, presents a newly commissioned work alongside a survey of sculptures, drawings, and installations produced since 2013.



Emerging from his initial interest in developing a career as a book illustrator, Satorre’s artistic research has consistently focused on experimenting with the boundaries of various disciplines associated with drawing. Over time, this practice has become increasingly linked with a sculptural dimension that dialogues with the diverse contexts where he conceives and displays his work. His recent projects often involve acts of transformation and subversion stemming from elemental actions such as moulding, stamping, forging, casting, or breaking. These processes intertwine the intimate with the industrial, the functional with misuse, anecdotes with archetypes, and remembered events with imagined ones.



The exhibition Ria” features a selection of Satorre’s works produced between 2013 and 2025, a phase he sees as a process of calibrating the distances between starting points and final forms in his work. It also reflects a certain introspection that allows him to question personal experience in relation to broader cultural, political, and social contexts.



In conjunction with the exhibition, the artist’s first monograph will be released. The publication “Río” features commissioned essays by Daniel Garza Usabiaga (Director, Museo del Palacio de Bellas Artes, Mexico City) and Sean Lynch (artist, Askeaton Ireland), as well as a conversation between Satorre and Latitudes, the exhibition's curators. This bilingual Spanish-English edition, designed by the artist and publisher Gabriel Pericàs in collaboration with Satorre, is copublished by Museo CA2M and Caniche Editorial.



Ria” will be held on the second floor of the museum, coinciding with exhibitions dedicated to María Medem, and from 1 March, 2025, to Rodríguez-Méndez and David Bestué. It will also coincide with various events in the city surrounding the 44th edition of the ARCOmadrid art fair (5–9 March 2025).

Longitudes

This section of Latitudes’ website cuts across 20 years of projects and research with updates and reportage

16 Jan 2025 Max Andrews’ review of Gabriel Chaile for frieze

1 Jan 2025 Cover Story: Folded Forms in Artofrum

1 Dec 2024 Cover Story: On the (Critical, Contextual) Rocks

1 Nov 2024 Cover Story: Max Andrews on Robert Smithson

10 Oct 2024 Rasmus Nilausen’s “Theatre of Doubts’ in Palma

1 Oct 2024 Cover Story: Mariana Cánepa Luna on Nancy Holt  

17 Sept 2024 Max Andrews’ Manifesta 15 highlights in frieze

16 Sept 2024 Conclusion of the International chapter GCC Spain 
2 Sept 2024 Cover Story: THE CREST OF A WAVE

29 Jul 2024 Latitudes’ “out of office” 2023-24 season

3 Jun 2024 Review of Rosa Tharrats for Artforum

41° 23' 19.64'' N

Max Andrews and Mariana Cánepa Luna founded Latitudes in 2005, a curatorial office based in Barcelona working internationally across contemporary art practices.

#LatitudesBarcelona #CuratedbyLatitudes



Copyright © 2005–2025 Latitudes


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