LONGITUDES

Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

UOVO14 'GREEN – Ecology, Luxury & Degradation' Available now!


GUEST EDITED BY LATITUDES
JULY–SEPTEMBER 2007

Issue #14 presents interviews, essays, projects and two CDs around art practices that resist the spectacularisation or romanticisation of ecological issues or the natural world. The issue was launched in Art Basel's Art Lobby on the 17 June (images below). See also inside the magazine here.

Where to find it? here
More info? here and here

 
[Photos: courtesy UOVO | The Bookmakers Ed. & MCH Swiss Exhibition Basel/Zurich AG]
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Bruce Sterling's Sharjah Biennial keynote

We have uploaded Bruce Sterling's keynote paper 'Ecology and the Politics of Change' presented in the Sharjah Biennial 8 symposium on 5 April. You can download the document on the SB8 archive (pdf, 404 KB).

Author, futurist and critic Bruce Sterling (b. 1954) is based in Austin, Texas and Serbia. Best known for his eight science fiction novels, he has also written short stories, book reviews, design criticism, opinion columns, and introductions for books ranging from Ernst Juenger to Jules Verne. His non-fiction works include 'The Hacker Crackdown: Law and Disorder on the Electronic Frontier' (1992), 'Tomorrow Now: Envisioning the Next 50 Years' (2003) and 'Shaping Things' (2005). He is a contributing editor of WIRED magazine. He also writes a weblog and runs a website and Internet mailing list on the topic of environmental activism and postindustrial design. In 2005, he was the Visionary in Residence at Art Center College of Design in Pasadena. He has appeared on ABC’s Nightline, BBC’s The Late Show, CBC’s Morningside, on MTV and TechTV, and in publications including Time, Newsweek, The Wall Street Journal, The New York Times, Fortune, Nature, I.D., Metropolis, Technology Review, Der Spiegel and La Repubblica.

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Snapshots of Münster Skulptur Project 2007

Photodocumentation of our adventures discovering this years' Münster Skulptur Project is now up on our flickr. Take a look!

The exhibition presented the works of 36 artists from all over the world. The curators are Brigitte Franzen, Kasper König and Carina Plath.

Invited Artists:

Pawel_Althamer | Michael_Asher | Nairy_Baghramian | Guy_Ben-Ner | Guillaume_Bijl | Martin_Boyce | Jeremy Deller | Michael_Elmgreen und Ingar_Dragset | Hans-Peter_Feldmann | Dora_Garcia | Isa_Genzken | Dominique_Gonzalez-Foerster | Tue_Greenfort | David_Hammons | Valérie_Jouve | Mike_Kelley | Suchan Kinoshita | Marko_Lehanka | Gustav_Metzger | Eva_Meyer und Eran_Schaerf | Deimantas_Narkevicius | Bruce_Nauman | Maria_Pask | Manfred_Pernice | Susan_Philipsz | Martha_Rosler | Thomas_Schütte | Andreas_Siekmann | Rosemarie_Trockel | Silke_Wagner | Mark_Wallinger | Clemens von Wedemeyer | Annette_Wehrmann | Pae_White

All images: Latitudes | www.lttds.org
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Slideshow of Documenta 12, Kassel



All images: Latitudes | www.lttds.org
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In Memoriam: Luciano Fabro (1936–2007)

 
Photo: Latitudes | www.lttds.org

Acabamos de leer en Flash Art la notícia del fallecimiento del artista povera, Luciano Fabro el pasado viernes 22 en Milano. No queremos dejar pasar la ocasión para recordar su última aparición en Barcelona en ocasión de la exposición de la Herbert Collection en el MACBA en Febrero 2006.

En su inauguración me presentaron al artista y entusiasmado con que hubiese alguien que hablase italiano en el evento me animó a hacerle de traductora en la charla del día siguiente en el museo. Nos encontramos en la plaza 1 hora antes de la conferencia. Tomamos un café rápido en c/ Elisabets e intercambiamos comentarios sobre sus notas y sobre la exposición. Desde ‘el gallinero’ de los traductores en el auditori del MACBA me lancé a traducirle lo que sus colegas hablaban en inglés. Luciano era de los que aprendió francés. A pesar de mis torpes referencias él siempre me sonreía desde abajo. Ahora seremos nosotros quien te sonreiremos desde aquí.

D.E.P.
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'LAND, ART...' publication reviewed in Frieze



 Brian Dillon reviews LAND, ART: A Cultural Ecology Handbook in the summer issue (#108) of Frieze, devoted to ecology. Read the article online.

In that same issue, there is also a feature article by Latitudes' Max Andrews entitled 'The Whole Truth' featuring the work of Mierle Laderman Ukeles, Christina Hemauer & Roman Keller, Maria Thereza Alves, among others.

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Art Basel 2007 in images

<a data-flickr-embed="true" href="https://www.flickr.com/photos/lttds/albums/72157622042113281" title="Art Basel 2007"><img src="https://live.staticflickr.com/2619/3864039485_e099a005b8_z.jpg" width="640" height="480" alt="Art Basel 2007"></a><script async src="//embedr.flickr.com/assets/client-code.js" charset="utf-8"></script>

All images: Latitudes | www.lttds.org
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Venice Biennale - Giardini and Italian Pavilion



All images: Latitudes | www.lttds.org
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Venice Biennale 2007 - Arsenale



'Think with the Senses – Feel with the Mind. Art in the Present Tense': Arsenale


All images: Latitudes | www.lttds.org
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Qui. Enter Atlas – International Symposium of Young Curators



Latitudes presented a paper entitled MyLife/SecondSpace: A “Web 2.0” paradigm for artistic and curatorial practice? at 'Qui. Enter Atlas – International Symposium of Young Curators' under the theme 'Art in the Landscape of the Media' coordinated by artist Dara Birnbaum 3–5 June 2007, at the GAMeC, Bergamo.

Since as recently as 2005, there has been an unprecedented surge of entrepreneurship and innovation – fuelled by vast speculative venture capital investments largely in Silicon Valley – concerning so-called Web 2.0 applications. We’ve all heard of, and probably use, facilities such as YouTube, eBay, Wikipedia, del.icio.us, Skype, MySpace, flickr, Facebook, Second Life and so on – but what are some of their common attributes? How might they be reflected in artistic practice, curatorial practice – and the art industry? Sidestepping Nicolas Bourriaud’s Relational Aesthetics (1998 – a long time ago in the wide world of the web) we looked at projects such as Allora and Calzadilla’s Radio Re-volt (2004); Rirkrit Tiravanija’s Untitled (the air between the chain-link fence and the broken bicycle wheel) (2005); the exhibition Spinning the Web – the eBay Connection; and CAC TV, the initiative of the Centre for Contemporary Art in Vilnius, through the behavioural and terminological tropes of web 2.0. As a conclusion, we addressed the technosocial definition of objects and users developed by Bruce Sterling in his book Shaping Things (2005).

The invited curators were: Binna Choi, Sebastian Cichocki, Tom Morton, Nina Zimmer, Sarah Carrington, Ovul Durmusoglu, Manuela Moscoso, Huib Haye Van Der Werf, Cecilia Alemani, Craig Buckley, Ana Vejzovic Sharp, Elena Filipovic, Nav Haq, Latitudes.

Jury for the Lorenzo Bonaldi – Enter Prize: Giacinto Di Pietrantonio, Dan Cameron and Ralph Rugoff.
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