Marking 20 Years of Max Andrews as a Writer for Frieze Magazine
Tue, Jun 4 2024
Reviews, opinion columns, profiles, and features here.
This month marks 20 years of Max Andrews contributing to frieze magazine. Max’s inaugural review in 2004 featured an exhibition of Danish artist Jesper Just at Midway Contemporary, written while working as a Curatorial Fellow at the Walker Art Center in Minneapolis.
Over the last two decades, Max has written +60 texts exploring topics including ecology, institutional thinking, open call fatigue, the history of IVAM – Spain’s pioneering Modern Art Museum – highlights for ARCOmadrid (2024, 2023, 2022, 2020 editions), or Barcelona's intricate cultural landscape, among others.
Max’s latest review covers Ibon Aranberri’s survey exhibition “Entresaka” at the ARTIUM Museoa – Museo de Arte Contemporáneo del País Vasco in Vitoria-Gasteiz (Basque Country).
Other reviews, opinion columns, profiles, and features here.
Writing published elsewhere here.
→ RELATED CONTENT:
- Max Andrews' Valencia Feature in frieze magazine, November-December 2019, 2 November 2019
- Max Andrews reviews in frieze: ‘A Provisional History of the Technical Image, 1844–2018’ (LUMA Foundation, Arlès) and Pere Llobera's ‘Acció’ (Bombon Projects, Barcelona) and ‘Kill Your Darlings’ (Sis Galería, Sabadell), 4 January 2019
- Mariana Cánepa Luna reviews Frieze week 2018 for art-agenda.com, 15 October 2018
- MaxAndrews review of Mark Bradford's inaugural exhibition “Masses and Movements” at Hauser Wirth Menorca centres on “the 1507 Waldseemüller world map, the first to depict a landmass in the far reaches of the Atlantic and to name it America.”
- “Like the derelict buildings that pockmark Lleida’s urban fabric, Bestué’s exhibition summons a terrain that is barely held together, on the verge of becoming undone.” – Max Andrews on David Bestué exhibition at La Panera, Lleida in "The 5 Best Exhibitions in the EU Right Now", 19 May 2021
- Max Andrews reviews Eulàlia Rovira's solo show at etHALL where the artist pays homage to the thresholds between life and death in frieze, October 2020
- frieze review by Max Andrews of Joachim Koester's show at the Blueproject Foundation, Barcelona
- October 2004 issue of frieze includes Max Andrews' review of Christopher Knowles show at Gavin Brown’s Enterprise
- Two texts by Max Andrews in the April 2018 issue of frieze: review of La Panace’s Crash Test (Montpellier) and Lúa Coderch’s solo show at àngels Barcelona
- Max Andrews on Alexandre Estrela at Museo Reina Sofia
- Exhibition Review of Rasmus Nilausen's show "Read the Image" at Garcia Galeria by Max Andrews in frieze
- Review of Lucy Skaer's 2014 solo show Glasgow Tramway by Max Andrews in frieze
- Profile on Francesc Ruiz’s comic books, identity & homoerotic iconography by Max Andrews in frieze
- A 2007 profile on Wilfredo Prieto by Max Andrews on frieze
- A 2012 review by Max Andrews on the film "Arbeit (Work, 2011)" by 2014 Turner Prize winner Duncan Campbell
- 2006 review of Ignasi Aballí's retrospective at MACBA by Max Andrews
- Review of Julia Montilla’s show Fundació Miró by Max Andrews on frieze
- Max Andrews on Pablo Helguera's 2013 ‘Librería Donceles’ at Kent Fine Art in New York in frieze
- 2005 review by Max Andrews of Latitudes of Jordan Wolfson's show Kunsthalle Zurich
- Max Andrews on the political, social and economic factors of environmentalism in frieze magazine, 2007
