LONGITUDES

Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Cover Story, April 2025: Wrecking the Floor Tiles

 

April 2025 cover story on www.lttds.org. Photo: Roberto Ruiz.


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NEW MONTHLY COVER STORY

The April 2025 monthly Cover Story “Wrecking the Floor Tiles” is now on our homepage: www.lttds.org (after April, this story will be archived here).

“The only memory Jorge Satorre retains of his visit to the ruins of the infamous conquistador Hernán Cortés’s house in Veracruz is not of history’s grand narratives, but of something much more anecdotal: the footprints of a cat and a bird imprinted in the clay tiles that once lay within. Who, he wondered, had chosen to install these seemingly flawed tiles? → Continue reading

Cover Stories are published monthly on Latitudes’ homepage featuring past, present, or forthcoming projects, research, texts, artworks, exhibitions, films, objects, or field trips related to our curatorial projects and activities.

→ RELATED CONTENTS

  • Archive of Monthly Cover Stories 
  • Cover Story, March 2025: “Hello Everyone from the Museo Reina Sofía”, 3 Mar 2025
  • Cover Story, February 2025: Bananas, Potatoes, Ria, Río: Jorge Satorre at CA2M, 3 Feb 2025
  • Cover Story, January 2025: Folded Forms, 1 January 2025
  • Cover Story, December 2024: On the (Critical, Contextual) Rocks, 1 December 2024
  • Cover Story, November 2024: Max Andrews on Robert Smithson’s text “Aerial Art” (1969), 1 Nov 2024
  • Cover Story, October 2024: Nancy Holt “Ventilation System”, 1 Oct 2024
  • Cover Story, September 2024: THE CREST OF A WAVE, 2 Sept 2024
  • Cover Story, July-August 2024: Rosa Tharrats, Curtain Call, 1 July 2024
  • Cover Story, June 2024: TERENCE GOWER—DIPLOMACY, URBANISM, URANIUM, 3 June 2024
  • Cover Story, May 2024: Richard Serra & Anne Garde—Threats of Paradise, 30 Apr 2024
  • Cover Story, April 2024: In Progress–Iratxe Jaio and Klaas van Gorkum, 2 April 2024
  • Cover Story, March 2024: Dibbets en Palencia, 4 March 2024
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Max Andrews reviews Lúa Coderch; "Crash Test. The Molecular Turn" and Julia Spínola for frieze

Review ‘The Molecular Turn’: While Social Media Flourishes Ecological Systems are Collapsing. At La Panacée, Montpellier, Nicolas Bourriaud’s manifesto for a new movement and attempt to demarcate an artistic peer group." on frieze magazine.

Max Andrews, co-founder of Latitudes and contributing editor to frieze, has recently reviewed the group exhibition ‘Crash Test. The Molecular Turn’ (at La Panacée, Montpellier, until May 6, 2018) as well as Lúa Coderch's solo exhibition ‘The girl with no door on her mouth’ (àngels barcelona, on view until April 13, 2018) for friezeBoth texts are available online and are included in print in the April issue.

—> Video of Lúa Coderch presenting her work (Spanish with English subtitles).

Review "The Girl with No Door on Her Mouth: Lúa Coderch's Acts of Making Noise. The artist explores the politics of the female voice that speaks out or is shut up, at àngels barcelona, Spain." on frieze magazine.

A review on Julia Spínola's solo show "Lubricán" at the Centro de Arte 2 de Mayo (Móstoles, Madrid), has also just been published online and will also be included in the forthcoming May 2018 issue.

—> Video of Julia Spínola presenting the show (in Spanish).

Review "Julia Spínola: Twilight. At Centro de Arte Dos de Mayo, Móstoles, a crepuscular glow lends acute poignancy to simple forms and materials" on frieze magazine.


RELATED CONTENT:
  • Writing archive on Latitudes' website (since 2005);
  • "The Kørner problem” essay by Max Andrews in the monograph "John Kørner" published by Roulette Russe, 19 February 2018
  • Max Andrews essay on Christopher Knowles for NoguerasBlanchard at Liste 2017, 21 July 2017
  • Cover Story – January 2017: How open are open calls?, 4 January 2017
  • Cover Story – December 2016: Ten years ago – Land, Art: A Cultural Ecology Handbook, 5 December 2016
  • January 2016 Monthly Cover Story: Kasper Akhøj's Eileen Gray’s E.1027, 4 January 2016
  • Symposium participation, "The Shock of Victory", Glasgow, 25 September 2015
  • Review of the exhibition "What cannot be used is forgotten" in the May issue of frieze magazine, 29 April 2015
  • Review of Maria Thereza Alves' exhibition at CAAC Sevilla published in frieze magazine 9 March 2015
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'Antes que todo', Centro de Arte Dos de Mayo (CA2M), Móstoles, hasta 9 Enero 2011


'
Antes que todo'

Centro de Arte Dos de Mayo, Móstoles, Madrid
18 Septiembre 2010 – 9 Enero 2011

Artistas: Ignasi Aballí; Lorea Alfaro; Txomin Badiola; Antonio Ballester Moreno; Erick Beltrán; Bestué / Vives; Rafel G. Bianchi; Carles Congost; June Crespo; Discoteca Flaming Star; Patricia Esquivias; Jon Mikel Euba; Esther Ferrer; Nuria Fuster; Dora García; Fernando García; Rubén Grilo; Lilli Hartmann; Daniel Jacoby; Jeleton; Fermín Jiménez Landa; Adrià Julià; Dai K.S.; Tamara Kuselman; Daniel Llaría; Erlea Maneros Zabala; Pablo Marte; Fran Meana; Asier Mendizabal; Jordi Mitjà; Momu & No Es; Julia Montilla; Itziar Okariz; Antonio Ortega; Kiko Pérez; Juan Pérez Agirregoikoa; Gabriel Pericàs; Paloma Polo; Sergio Prego; Wilfredo Prieto; Tere Recarens; Red Caballo; Alex Reynolds; Xavier Ribas; Carlos Rodríguez-Méndez; Francesc Ruiz; Xabier Salaberria; Jorge Satorre; Javi Soto; Julia Spínola; Sra. Polaroiska; Alain Urrutia; Isidoro Valcárcel Medina; Azucena Vieites; Oriol Vilanova; WeareQQ

Comisariado: Aimar Arriola & Manuela Moscoso

'Antes que todo' es una exposición que se propone penetrar en el presente del arte en el Estado Español. La muestra, que ocupa la totalidad de los espacios del CA2M y en la que participan 56 artistas, no pretende arrojar una mirada totalizadora sobre el “aquí y ahora”, sino que da una mayor visibilidad, y por primera vez de manera concentrada, a formas de trabajo que se han desarrollado en los últimos 20 años en focos específicos del contexto. En la base del proyecto subyace el interés por problematizar la noción de actualidad, con el objetivo de generar una mayor conciencia respecto al lugar que ocupamos en relación a un determinado presente.

El marco conceptual del proyecto se ha articulado en torno a la idea de “expectativa” entendida como una bisagra mediadora entre pasado, presente y futuro. Una de las subtramas del proyecto se centra en explorar hilos de continuidad entre prácticas de diferentes generaciones, con la voluntad de crear puentes y de evidenciar sus resonancias con el presente. Más info…

Las piezas realizadas por Jordi Mitjà ('Floating Lines' (Second Cabinet)) e Ignasi Aballí ('Tomar Medidas') que se presentarán en la exposición, derivan de proyectos comisariados por Latitudes en el 2009 para la Galleria Umberto di Marino, Nápoles, y en Suitcase Art Project, Pekín, respectivamente.

Catálogo 'Antes que todo' 
(próximamente disponible)
Diseño: ferranElOtro Studio
Ensayos: Peio Aguirre, Sofie van Loo, Aimar Arriola y Manuela Moscoso.
Textos artistas: Max Andrews, David Armengol, Haizea Barcenilla, Ellen Blumenstein, Juan Canela, Mariana Cánepa Luna, Amanda Cuesta, Maite Garbayo, Miren Jaio, Willy Kautz, Martí Manen, Mariano Mayer, Tania Pardo, Alberto Sánchez Balmisa, Andrea Valdés Vigil, y los comisarios de la exposición.

Centro de Arte Dos de Mayo
Avda. Constitución 23
28931 Móstoles, Madrid
http://ca2m.org
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