Max Andrews reviews Lúa Coderch; "Crash Test. The Molecular Turn" and Julia Spínola for frieze
Mon, Apr 9 2018 |
| Review ‘The Molecular Turn’: While Social Media Flourishes Ecological Systems are Collapsing. At La Panacée, Montpellier, Nicolas Bourriaud’s manifesto for a new movement and attempt to demarcate an artistic peer group." on frieze magazine. |
—> Video of Lúa Coderch presenting her work (Spanish with English subtitles).
| Review "The Girl with No Door on Her Mouth: Lúa Coderch's Acts of Making Noise. The artist explores the politics of the female voice that speaks out or is shut up, at àngels barcelona, Spain." on frieze magazine. |
—> Video of Julia Spínola presenting the show (in Spanish).
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RELATED CONTENT:
- Writing archive on Latitudes' website (since 2005);
- "The Kørner problem” essay by Max Andrews in the monograph "John Kørner" published by Roulette Russe, 19 February 2018
- Max Andrews essay on Christopher Knowles for NoguerasBlanchard at Liste 2017, 21 July 2017
- Cover Story – January 2017: How open are open calls?, 4 January 2017
- Cover Story – December 2016: Ten years ago – Land, Art: A Cultural Ecology Handbook, 5 December 2016
- January 2016 Monthly Cover Story: Kasper Akhøj's Eileen Gray’s E.1027, 4 January 2016
- Symposium participation, "The Shock of Victory", Glasgow, 25 September 2015
- Review of the exhibition "What cannot be used is forgotten" in the May issue of frieze magazine, 29 April 2015
- Review of Maria Thereza Alves' exhibition at CAAC Sevilla published in frieze magazine 9 March 2015
