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Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Cover Story, October 2022: Stray Ornithologies—Laia Estruch

 

October 2022 cover story.


The October 2022 monthly Cover Story “Stray Ornithologies—Laia Estruch” is now up on our homepage: www.lttds.org

“Within the context of PUBLICS’ annual gathering Today Is Our Tomorrow, on 8 October Laia Estruch and Irina Mutt will lead a workshop in Helsinki as part of this year’s programme focusing on the presentness of the voice in its many sonic forms, vocal modes and acoustic modalities. Continue reading 

After October 2022 this story will be archived here.

Cover Stories are published on a monthly basis on Latitudes’ homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


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“‘Minor’ Ornithologies” podcast conducted by Max Andrews of Latitudes for TBA21 on st_age



Listen to the podcast here.

Latitudes’ Max Andrews, a curator, writer and lifelong birder, recently conducted the podcast Minor” Ornithologies for TBA21 on st_age (Season 4, Episode 4). The podcast’s guests are Alex Holt, a spokesperson for Bird Names for Birds, a movement to decolonise bird names, and zoömusicologist Dr Hollis Taylor who specialises in birdsong. Through their perspectives, we glimpse new and speculative kinds of human–bird narratives – what Anna-Sophie Springer and Etienne Turpin have coined “minor ornithologies”. 

The interviews are complemented by two audio clips, one of a Pied Butcherbird recorded in N Queensland, and another of a Superb Lyrebird mimicking birdsong and two flute phrases recorded in New South Wales, both courtesy of Hollis Taylor.

This edition accompanies Laia Estruch’s performance “Ocells Perduts V67” (2022) also produced by TBA21 on st_age, and takes flight into the realm of birds, looking at politics and practices that disrupt dominant historical narratives, and exceed scientific and cultural boundaries.


(Above and below) Laia Estruch, “Ocells Perduts” (2021) was performed at MACBA Museu d'Art Contemporani de Barcelona as part of the exhibition “Panorama 21. Notes for an Eye Fire”. Commissioned by MACBA Museu d'Art Contemporani de Barcelona with the support of PUBLICS, Helsinki. Estruch’s research was supported by the grant Premis Barcelona 2020 of the Ajuntament de Barcelona. Photos: Miquel Coll.


“Ens han canviat el cel a ple vol” (Nos han cambiado el cielo a pleno vuelo / They changed the sky in mid flight) part of Laia Estruch’s “Ocells Perduts” (2021) installed at MACBA Museu d'Art Contemporani de Barcelona as part of the exhibition “Panorama 21. Notes for an Eye Fire”, October 2021–February 2022. Photos: Roberto Ruiz.


Latitudes has been collaborating with Laia Estruch since early 2020 in preparation for a year-long programme to be hosted at the Helsinki-based curatorial and commissioning agency PUBLICS, based around the notion of a partial, distributed, and fragmentary retrospective of her artistic practice. The pandemic changed those plans and soon after the invitation to curate MACBA’s first Panorama triennial (Panorama 21: Apunts per a un incendi dels ulls”) came along, for which Laia presented the commission Ocells Perduts” (2021). The project was produced with the support of PUBLICS, and for the research phase, Laia received the support of the beca Premis Barcelona 2020 of the Ajuntament de Barcelona.


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