Residency at the Kadist Art Foundation, San Francisco, 26 August–9 September 2015
Wed, Aug 26 2015
Kadist Art Foundation, San Francisco, 2014 (exterior view). Photo: Arash Fayez, Courtesy Kadist Art Foundation.
Between 26 August–9 September 2015 Latitudes will be in residency at Kadist Art Foundation in San Francisco. During this time, and following its two previous iterations in Mexico City (Casa del Lago, 2012) and Hong Kong (Spring Workshop, 2013), Latitudes will do a new iteration of 'Incidents of Travel' exploring San Francisco. Three specially-commissioned tours by artists Amy Balkin, the artist collective Will Brown (a collaborative project of David Kasprzak, Jordan Stein, and Lindsey White) and outsider librarians Megan and Rick Prelinger as expanded studio visits will focus on the Bay Area and link to Latitudes's current research around the carbon cycle.
You can follow the tours via Kadist's Instagram as part of the 'Artist not at the Studio, Curator not at the Office' Latitudes' takeover, and as a series of posts that will be published on this channel.
In the afternoon of August 29, Latitudes will co-host a 'Near-Future Artworlds Curatorial Disruption Foresight Group', a workshop which extends the seminar recently developed in May for the International Curatorial Retreat in Bari, Italy.
The 'Near-Future Artworlds Curatorial Disruption Foresight Group' is a forum for informal dialogue about megatrends and the future of contemporary art institutions.
In the same way that the Internet has untethered television from fixed schedules and newspapers from print deadlines, the first meeting broadly addressed to what degree the organizational forms of art institutions are embracing or resisting similar transformations through various curatorial/editorial prototypes and prognosticative use-case scenarios.
Convened by the Barcelona-based curatorial office Latitudes together with Kadist Art Foundation, this second meeting will bring together individuals and expertise in the Bay Area with an active interest in institutional prototyping and emergent usership. With an emphasis on cross-pollination between design thinking and curatorial thinking, the meeting will discuss, among other things, the notion of the post-disciplinary, and the question of appropriate speeds or periodicities of institutions.
In order to be conducive to freedom of interaction, the meeting is held under the Chatham House Rule. This allows participants to express personal views, to listen, reflect and gather insights with a clear distinction from the position of their employers and/or the policies of any associated organization. Participation is expected, but there will be no resolutions issued, no votes undertaken, and no policy statements proposed.
RELATED CONTENT:
Tutors of the 2015 International Curatorial Retreat, 9–13 May, Bari (Italy) 17 May 2015
Nadim Abbas' "Incidents of Travel: Hong Kong" public tour (19 January 2013)
Ho Sin Tung "Incidents of Travel: Hong Kong" tour (30 January 2013)
Yuk King Tan's "Incidents of Travel: Hong Kong" tour (3 February 2013)
Samson Young's "Incidents of Travel: Hong Kong" tour (7 February 2013)
Latitudes' Open Day at Spring Workshop on 2 February 2013 (9 February 2013)
Archive of social media posts related to "Incidents of Travel" tours and photo-documentation.
13 field recordings from 'Incidents of Travel: Hong Kong'
Interview between Christina Li and Latitudes on 'Incidents of Travel' for Witte de With's 'Witness to Moderation(s)' blog 7 May 2013
Inauguración de 'Incidentes de viaje' & 'Proyectos 2005–2012' en La Sucursal, Casa del Lago, México DF, 27 de septiembre 19:30h 25 septiembre 2012
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This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Latitudes' limited edition tote bags presented in the Asia Art Archive's exhibition "A short history of the art book bag (and the things that go in them)"
Mon, Aug 24 2015
We are delighted that from August 24 (and until October 24), Latitudes' limited edition tote bags by Lawrence Weiner, Haegue Yang, Ignasi Aballí and Mariana Castillo Deball, will be presented in Hong Kong as part of Asia Art Archive (AAA)'s exhibition 15th anniversary programme "15 Invitations | a short history of the art book bag".
Organised by AAA Public Programmes Curator Ingrid Chu, the show explores the international phenomenon of the 'art book bag' in "a short history of the art book bag (and the things that go in them)". The exhibition features 'the things that go in them'—art publications, magazines, and related ephemera—alongside a vast array of these popular totes in the AAA Library. Chu has invited artists, curators, art book fair organisers, and print and online publishers to provide insight into the changing modes of knowledge production and circulation, and their influence on the recent art of Asia through Field Notes.
Latitudes'
totes are presented under 'Sites for Art', the first of five categories
that structure the show – others being 'Carriers of Knowledge',
'Markers of Access', 'Badges of Dissent', 'Goods of Desire'). Courtesy of Asia Art Archive.
Each Latitudes' tote is accompanied by a publication that relates to each artist: Lawrence Weiner will contain the leaflet of his 2008 exhibition at Fundació Suñol, Haegue Yang will include the publication which features an essay by Max Andrews' of Latitudes; Ignasi Aballí's tote will include his 2009 publication 'Nothing, Or Something' inside and Mariana Castillo Deball will have 'Amikejo', the exhibition catalogue of the 2011 cycle one of which presented works by Castillo Deball and Irene Kopelman.
Installation view of a short history of the art book bag (and the things that go in them) exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.
Zine for "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.
Installation view of 'Carriers of Knowledge' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.
Installation view of 'Badges of Dissent' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.
Installation view of 'Goods of Desire' section in "a short history of the art book bag (and the things that go in them)" exhibition at Asia Art Archive, Hong Kong, 24 August–24 October 2015. Courtesy of Asia Art Archive.
RELATED CONTENT:
Lead Facilitators, Curating Lab 2014–Curatorial Intensive, National University of Singapore (11–14 June), symposium (14 June, 15–17h) and field trip to Hong Kong (16–20 June)
30 May 2014
A day at Hong Kong's Asia Art Archive, 31 January 2013, 8 July 2013
"Archive as Method: An Interview with Chantal Wong, Hammad Nasar and Lydia Ngai" of the Asia Art Archive, Hong Kong. Final #OpenCurating interview 1 May 2013
Latitudes' Open Day at Spring Workshop on 2 February 2013 9 February 2013
Archive of social media posts related to "Incidents of Travel" tours and photo-documentation.
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This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org
Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Latitudes' "out of office" 2014–2015 season
Fri, Aug 7 2015
It's that end-of-the-season time of the year again. It has become a tradition for Latitudes (see the 2008-9, 2009-10, 2010-11, 2011-12, 2012–13, 2013–14 posts) to mark the summer break, not by presenting a written memo of activities or a financial statement, but with a 'behind the scenes' post filled with photos revisiting moments from the year gone by. So here are some glimpses from September 2014 to August 2015.
Slowing down is rather relative this Summer, as at the end of July we embarked on a two-week trip to The Banff Centre in Canada to be Guest Faculty of one of its thematic residencies, 'Blueprint for Happiness' led by British artists Heather & Ivan Morison. At the end of August, we will be in residency at Kadist Art Foundation in San Francisco for another two weeks.
Slowing down is rather relative this Summer, as at the end of July we embarked on a two-week trip to The Banff Centre in Canada to be Guest Faculty of one of its thematic residencies, 'Blueprint for Happiness' led by British artists Heather & Ivan Morison. At the end of August, we will be in residency at Kadist Art Foundation in San Francisco for another two weeks.
Milestones during the first part of 2015 were two-fold: after months of technical tweaking and editorial wrangling, we launched our newly designed website in February and secondly, this Spring Latitudes celebrated its 10th anniversary.
Have a great holiday, más en septiembre!
Have a great holiday, más en septiembre!
7 October 2014: Latitudes hosted the second year students of the MA Curating Contemporary Art at the Royal College of Art, London, and took the opportunity of presenting and reflecting on our collaborations with three Catalan artists – Martí Anson, Ignasi Aballí and Francesc Ruiz.
Francesc Ruiz presenting his work to the RCA students.
Trip reporting: We reported from the field including at Madrid's Apertura in September, London's Frieze week in October, David Jablonowski's "Hype Cycle" at Fons Welters during Amsterdam's Art Weekend in November, and from Bordeaux in January, to Bari in May.
Writing: This year Max Andrews has joined frieze as Contributing Editor – where he has been writing since 2004. His writing has been more frequent in recent months as frieze have published reviews on Maria Thereza Alves at CAAC in Sevilla, the group show "What cannot be used is forgotten" at CAPC Bordeaux, a profile of Nicholas Mangan and a review of the Spanish and Latin American Pavilions at the Venice Biennale. Mariana Cánepa Luna also published an interview with Mangan in Mousse Magazine last February.
New website: Our homemade website finally saw the light of day in February. As explained in this post, the website features new elements such as the 'Cover Story' (more on that in the next paragraph), sliding photo galleries, a tidied-up sidebar with a calendar of events, tags to filter projects by 'year' or 'exhibition', etc.
'Cover Story': More writing has emerged through the new monthly section "Cover Story" on our home page (check out the archive of this section):
March 2015: Focused on a single artwork: Wilfredo Prieto's ‘Grasa, jabón y plátano’ (2006);
April 2015: Revisited a peculiar site: the Connaught Road West flyover, in Hong Kong;
April 2015 Cover Story.
May 2015: Honoured two artistazos: Lawrence Weiner and Sergi Aguilar and a whisky-enhanced chat on the Barcelona shore in October 2008;
June 2015: Visited Ignasi Aballí at his Raval studio.
Summer 2015: Orbited around Australian artist Nicholas Mangan, an artist with whom Latitudes just did an in conversation in the context of his solo exhibition "Ancient Lights" at Chisenhale, London and whose work has been the focus in Max Andrews' Frieze text as well as in Mariana Cánepa Luna's interview in the February-March issue of Mousse Magazine.
26 February, ARCOmadrid: On jury duty visiting the galleries participating in the #Opening section of the art fair, in order to select its best stand. The award was given to Barcelona-based gallery etHALL which presented works by Martin Vitaliti and Sergio Prego.
Silkscreen process of Lawrence Weiner's design. Photo: Print Workers.
Silkscreening Ignasi Aballí's tote. Photo: Print Workers.
Silkscreening Mariana Castillo Deball tote. Photo: Print Workers.
9–13 May 2015: After an intense week of Biennale overdose in Venice, we traveled to Bari to join Vessel and MADA's 2015 International Curatorial Retreat as two of its tutors. The week was far from being a retreat, it was more like an "intensive" – though it certainly was a "treat". Highly interesting debates and conversations on-and-off the scheduled activities of lectures and break-out sessions emerged in places such as a cave or in the nearby town Monopoli – no direct link to the property trading board game. Here a report from fellow tutor Dr. Alexandra Ross.
Visiting the market. Photo: Piero Percoco.
Chef Boris Portnoy doing some dinner prep at Doppelgaenger gallery/home.
Due to a fire in Rome's airport, our flight was cancelled and we had to rearrange our travel, spending another day in Bari. We therefore visited (we were in fact their only visitors) the Palazzo dell'Acquedotto Pugliese di Bari, decorated by roman designer Duilio Cambellotti.
A food detour to purchase delightful spicy rucola in the Mercato ex Manifattura Bari, in the Quartiere Libertà.
3–5 June 2015: Max Andrews participated in the annual 'Invest Conference 2015' organised by Stroom den Haag, in The Hague, consisting of "an incentive for the artistic development of recently graduated artists who have received the PRO Invest subsidy in the year before. A group of ten international curators is asked to visit these artists in their studios and meet with the art scene of The Hague."
Above (visiting Machteld Rullens) and following photographs by Myung Feyen. Courtesy Stroom den Haag.
7 July 2015: For our last public event of the year we joined Melbourne artist Nicholas Mangan for an in conversation in the context of his solo show 'Ancient Lights' that opened a few days earlier at Chisenhale Gallery in London. Mint and Lime Films video documented the talk – watch it from Chisenhale's website / Vimeo.
Vinyl listing the exhibition events.
(Above) Photos by Manuela Barczewski.
27 July–7 August 2015: Guest Faculty of the Thematic Residency 'Blueprint for Happiness' at The Banff Centre, Canada. We joined the group in the middle two weeks of the six week programme led by British artists Heather and Ivan Morison.
View of The Banff Centre from our bedroom in Lloyd Hall.
Views from Latitudes' studio in the Jeanne & Peter Lougheed Building.
Studio visit with "Blueprint for Happiness" participant Vanessa Kwan.
Studio visit with "Blueprint for Happiness" participant Robert Cram.
Inevitable photo of a deer walking around Banff.
Stunning evening sunset over the Bow River after a storm with a double rainbow.
While in Banff, Latitudes led three seminars bringing forward a series of case studies as well as focussing on a number of artists whose practice has dealt with public space in different geographical contexts. We also undertook studio visits with each of the 11 resident artists, and participated in a field trip to Calgary to visit the HQ of art construction company Heavy Industries and the Esker Foundation Contemporary Art Gallery.
(School) Field trip to Calgary to visit Heavy Industries fabricators and the Esker Foundation.
Even though the school bus seats were no longer in scale to our adult bodies, interesting chats happened over the 2 hours of each trajectory.
On Sunday 2 August, Latitudes hosted a closed-door evening film programme screening works by Spanish artist Emilio Moreno, Irish artist Sean Lynch and Australian artist Nicholas Mangan. The three films share a focus on public sculptures, monuments or buildings that have been displaced from their original context.
Flicking through some of the 4,000 artist books at Banff library.
Most of this past months' activity has been invested in preparing for 2015–16 projects: Firstly, 'Compositions' a series of five artistic interventions by six artists active in the Barcelona art scene: David Bestué (Barcelona, 1980. Lives in Barcelona); Dora García (Valladolid, 1965. Lives in Barcelona), Jordi Mitjà (Figueres, 1970. Lives between Lladó and Banyoles); Rasmus Nilausen (Copenhagen, 1980. Lives in Barcelona) & Pere Llobera (Barcelona, 1970. Lives in Barcelona) and Daniel Steegmann Mangrané (Barcelona, 1977. Lives in Rio de Janeiro, Brazil), which will take place in the context of the first Barcelona Gallery Weekend (1–4 October 2015).
Secondly, we've been working on the forthcoming solo exhibition of Venezuelan-born, Barcelona-based artist José Antonio Hernández-Díez which will be on view at La Capella MACBA from March 2016. Onwards!
Latitudes 'Out of office' 2013–14, 31 July 2014;
Latitudes' "out of office" photo album, 2012–2013 season, 31 July 2013;
Latitudes' "out of office" photo album 2011–2012, 31 July 2012;
Latitudes 'out of office' photo album 2010–11 season, 1 August 2011;
Latitudes 'out of office' photo album 2009–10 season, 30 July 2010;
Latitudes' "out of office" photo album 2008-9, 30 July 2009.
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This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Latitudes publications acquired by the Paul D. Fleck Library & Archives, The Banff Centre
Sun, Aug 2 2015
The Paul D. Fleck Library & Archives is on the second floor of the Kinnear Centre building at The Banff Centre.
Views from the Paul D. Fleck Library & Archives.
We are delighted that a large selection of Latitudes'-edited publications is now available for public consultation at the Paul D. Fleck Library and Archives in The Banff Centre, Banff, Canada. Banff becomes the second location to host the set of Latitudes’s publications, which are also available for reference at the Library of the MACBA Study Centre, Barcelona.
Latitudes publications and others from the reading list of the 'Blueprint for Happiness' Thematic Residency, featured shelf at the Banff Library.
The following publications can be found in Banff's library online catalogue:
Amikejo
Catalogue of the exhibition series, Museo de Arte Contemporáneo de Castilla y León (MUSAC), León
April 2012
United Alternative Energies
Christina Hemauer & Roman Keller
Catalogue of the exhibition, Aarhus Art Building, Centre for Contemporary Art, Århus
January 2012
Campus
Catalogue of the project, Espai Cultural Caja Madrid, Barcelona
July 2011
Martí Anson, Mataró Chauffeur Service
Catalogue of the project, 'No Soul For Sale', Tate Modern, London
January 2011
Portscapes
Catalogue of the commission series and exhibition 'Portscapes', Port of Rotterdam / Museum Boijmans Van Beuningen, Rotterdam
February 2010
The Last Newspaper
Catalogue of the exhibition 'The Last Newspaper', New Museum, New York
October–December 2010
Simon Fujiwara: The Incest Museum–A Guide
Artist book published in the context of the exhibition 'Provenances', Umberto di Marino Arte Contemporaneo, Naples
May 2009
Ignasi Aballí: 没有，有 Nothing, or Something
Catalogue of the exhibition, Suitcase Art Projects, Beijing
July 2009
Greenwashing. Ambiente: Pericoli, Promesse e Perplessità (Greenwashing. Environment: Perils, Promises and Perplexities)
Catalogue of the exhibition, Fondazione Sandretto Re Rebaudengo, Turin
February 2008
Lawrence Weiner: THE CREST OF A WAVE
Booklet of the exhibition, Fundació Suñol, Barcelona
October 2008
Ecology, Luxury & Degradation
UOVO #14
Summer 2007
LAND, ART: A Cultural Ecology Handbook
RSA and Arts Council England
December 2006
Book shelves at the Paul D. Fleck Library & Archives.
RELATED CONTENT:
Where to find the publications edited by Latitudes? 22 April 2012
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This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org
Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Guest Faculty of the Thematic Residency ‘Blueprint for Happiness’ at The Banff Centre, Canada, 27 July–8 August 2015
Thu, Jul 16 2015
(First) Views from the Vistas restaurant in the Sally Broden Building; (below) View from the Lloyd Hall building.
As Guest Faculty of the Visual + Digital Art thematic residency ‘Blueprint for Happiness’ – a five week programme starting July 13 led by British artists Heather and Ivan Morison – Latitudes will join the group in the middle two weeks of the programme (27 July–7 August).
Participants of the Blueprint for Happiness Thematic Residency.
Some art-as-research tips for reference on one of the Glyde Hall fridges.
Latitudes will also undertake studio visits with each of the 11 resident artists, participate in field trips and organise a closed-door evening film programme with films by Spanish artist Emilio Moreno, Irish artist Sean Lynch and Australian artist Nicholas Mangan. The three films share a focus on public sculptures, monuments or buildings that have been displaced from their original context.
Ignasi Aballí, AM-4826 Digital Anemometer from Taking Measures (2009). Installation of 9 measuring devices. Courtesy of the artist and Galería Estrany–De la Mota, Barcelona.
Tuesday 28 July 2015, 16–17:30h: Public Lecture, Presentation of Latitudes’ curatorial practice as part of the Visual Art Lecture Series. Jeanne and Peter Lougheed Building, 204. Free event.
For the Public Lecture Latitudes will forgo a chronological account of its projects of the last decade, and instead attempt various transects through its curatorial projects determined by raw materials and their transformation. From the zinc which led to an Esperanto micro-nation, to the air of a Beijing shopping centre, or the dead trees of printed news, Latitudes will try and join some traits and ideas around extractive modernity, obsolescence and the carbon cycle.
Music huts around campus.
The creek around The Banff Centre.
RELATED CONTENT:
- In conversation with the artist Nicholas Mangan at Chisenhale Gallery, London, 7 July 2015, 19h. 22 June 2015
- Tutors of the 2015 International Curatorial Retreat, 9–13 May, Bari (Italy) 17 May 2015
- Lecture and seminar, MADA | Monash University of Art Design & Architecture, 14 May 2014 (6 May 2014)
- Lead Facilitators, Curating Lab 2014–Curatorial Intensive, National University of Singapore (11–14 June) 30 May 2014
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This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (unless otherwise noted in the photo caption)
Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Locating Ancient Lights signs around London with Nicholas Mangan
Tue, Jul 14 2015Nicholas Mangan’s show “Ancient Lights” recently opened at London’s Chisenhale Gallery, where Latitudes had a conversation with the artist on 7 July. The title of the show refers to a long-established English planning law enshrining the “right to light” by restricting the construction of buildings that would block sunlight reaching the windows of neighboring properties. If the sun has shined through a window for more than twenty years, there is legal protection for it not to be blocked.
In the spirit of our tour project Incidents of Travel (which has involved artist-led explorations of Mexico City, Hong Kong, and soon San Francisco) on 3 July we set out with Nick to track down some of these esoteric signs in central London.
We started with a set of signs that – thanks to Wikipedia’s entry on the Right to light – are probably the best-known examples. The back windows of houses on Albemarle Way are visible from the Memorial Garden of the Priory Church of the Order of Saint John just off the Clerkenwell Road. (Here is a map of some Ancient Lights signs in London, if you know of more let us know!). We made our way on foot to a spot at the south end of Hatton Gardens (an address now notorious for the April 2015 heist) but failed to find the rumored sign there. It was a little early in the day for a pint at the nearby Ye Olde Mitre.
Heading in to Chinatown, we found ourselves scouring the bizarrely-named Horse & Dolphin Yard, a dead-end alleyway with a pagoda-like construction where several restaurants from Gerrard Street and Shaftesbury Avenue have there back entrances. We eventually spotted the sign, which appears to have been moved from its original location as it doesn’t mark any window, just a bare brick wall.
Nearby there is a cute sign above the diminutive Rupert Court, at the back of The Blue Posts pub. (If we were going to stop for a drink it would have to be somewhere far more thematically appropriate – the Sun Tavern in Covent Garden, The Sun and 13 Cantons in Soho or the Rising Sun in Bloomsbury, would hit the spot).
Later in the week we found the huge and typographically-distinguished Ancient Lights sign in Newman Passage, a little connecting street perhaps most famous for its starring role in the murderous opening scene of the film Peeping Tom (1960).
The more modest sign that can be seen next to the lamp of The Hope pub, just near Goodge Street tube station, is a palimpsest still bearing visible traces of an earlier sign underneath. Thus endeth the tour!
RELATED CONTENT:
Latitudes conversation with Nicholas Mangan on 7 July 2015 at Chisenhale Gallery, London;
Cover Story, July 2015: Nicholas Mangan’s ‘Ancient Lights’;
Max Andrews, Feature on Nicholas Mangan, 'Landscape Artist', Frieze, Issue 172, Summer 2015;
Mariana Cánepa Luna, 'What Lies Underneath', interview with Nicholas Mangan, Mousse Magazine #47, February–March 2015.
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This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
2015, Chisenhale, conversations, Incidents of Travel, London, Nicholas Mangan, offsite, tour
In the spirit of our tour project Incidents of Travel (which has involved artist-led explorations of Mexico City, Hong Kong, and soon San Francisco) on 3 July we set out with Nick to track down some of these esoteric signs in central London.
We started with a set of signs that – thanks to Wikipedia’s entry on the Right to light – are probably the best-known examples. The back windows of houses on Albemarle Way are visible from the Memorial Garden of the Priory Church of the Order of Saint John just off the Clerkenwell Road. (Here is a map of some Ancient Lights signs in London, if you know of more let us know!). We made our way on foot to a spot at the south end of Hatton Gardens (an address now notorious for the April 2015 heist) but failed to find the rumored sign there. It was a little early in the day for a pint at the nearby Ye Olde Mitre.
Heading in to Chinatown, we found ourselves scouring the bizarrely-named Horse & Dolphin Yard, a dead-end alleyway with a pagoda-like construction where several restaurants from Gerrard Street and Shaftesbury Avenue have there back entrances. We eventually spotted the sign, which appears to have been moved from its original location as it doesn’t mark any window, just a bare brick wall.
Nearby there is a cute sign above the diminutive Rupert Court, at the back of The Blue Posts pub. (If we were going to stop for a drink it would have to be somewhere far more thematically appropriate – the Sun Tavern in Covent Garden, The Sun and 13 Cantons in Soho or the Rising Sun in Bloomsbury, would hit the spot).
Later in the week we found the huge and typographically-distinguished Ancient Lights sign in Newman Passage, a little connecting street perhaps most famous for its starring role in the murderous opening scene of the film Peeping Tom (1960).
The more modest sign that can be seen next to the lamp of The Hope pub, just near Goodge Street tube station, is a palimpsest still bearing visible traces of an earlier sign underneath. Thus endeth the tour!
RELATED CONTENT:
Latitudes conversation with Nicholas Mangan on 7 July 2015 at Chisenhale Gallery, London;
Cover Story, July 2015: Nicholas Mangan’s ‘Ancient Lights’;
Max Andrews, Feature on Nicholas Mangan, 'Landscape Artist', Frieze, Issue 172, Summer 2015;
Mariana Cánepa Luna, 'What Lies Underneath', interview with Nicholas Mangan, Mousse Magazine #47, February–March 2015.
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This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Archive Cover Story (June): Ignasi Aballí sees nothing and something
Wed, Jul 1 2015
June 2015 Cover Story dedicated to Barcelona-based artist Ignasi Aballí, creator of one of Latitudes' commemorative tote bags.
Related Content:
Cover Story #3: Here's to horseshoes: Lawrence Weiner and Sergi Aguilar 1 June 2015
Cover Story #2: Beneath the Connaught Road West flyover, Hong Kong, 19 January 2013 4 May 2015
Cover Story #1: Wilfredo Prieto's work "Grease, Soap, Banana" 2 April 2015
Latitudes hosts the MA Curating Contemporary Art students of the Royal College of Art in Barcelona 7 October 2014
Ignasi Aballí at ARTIUM and Latitudes' text on 2009 project in Beijing and a 2010 interview 20 May 2012
Where to find the publications edited by Latitudes? 22 April 2012
'THE LAST STAR-LEDGER' AVAILABLE NOW! #4 issue of the 10 Latitudes-edited newspapers for 'The Last Newspaper' exhibition, New Museum 27 October 2010
Ignasi Aballí's exhibition catalogue 'Nothing, or Something' now available 26 October 2009
Slideshows of two projects: 'Provenances' at Umberto di Marino and 'Nothing, or Something' at SUITCASE Art Projects Beijing 25 May 2009
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This is the blog of the independent curatorial office Latitudes.
Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption).
Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Latitudes-nominee artist Annette Kelm shortlisted for the Aimia | AGO Photography Prize
Wed, Jun 24 2015
'Today' invitation card in the back of our entrance door.
We are delighted with the news that one of our two nominations – Annette Kelm (Stuttgart, 1975) – has been shortlisted for the Canadian Aimia | AGO Photography Prize.
As one of this year's 15 selectors, we were invited to put forward two artists names for inclusion on the long list, one artist from our country/region and one international. We selected Xavier Ribas (Barcelona, 1960) and Kelm.
Kelm and each of the shortlisted artist – Dave Jordano, Hito Steyerl and Owen Kydd – is awarded $5,000 and six-week residencies organised in partnership with cultural institutions across Canada.
Exhibitions of each of the four finalists will be presented from September 9, 2015, at the Art Gallery of Ontario (AGO), and the public will be invited to cast a vote for their choice to win the $50,000 CAD prize. The awardee, entirely chosen by public vote, will be announced on December 1, 2015.
Annette Kelm's large colour prints express a research-based interest in cultural history and the history of photography. In Kelm’s hands, photography is not just a documentary tool, but an active, agitating, productive force, wherein objects, textiles and people assume a sculptural identity. She is represented by Johann König (Berlin), Andrew Kreps Gallery (New York), Herald St (London), Marc Foxx (Los Angeles), Galerie Meyer Kainer (Vienna), Giò Marconi (Milan).
RELATED CONTENT
- Latitudes nominators for the 2015 Aimia | AGO Photography Prize, Canada 29 December 2014
- More on Latitudes' teaching, lecturing, jury duties, residencies, awards, etc.
- e-flux announcement, 26 June 2015.
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This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
In conversation with the artist Nicholas Mangan at Chisenhale Gallery, London, 7 July 2015, 19h.
Mon, Jun 22 2015
Nicholas Mangan, Still from 'Ancient Lights', 2014–5. Courtesy LABOR, Mexico City; Sutton Gallery, Melbourne; and Hopkinson Mossman, Auckland.
On July 7 at 19h Latitudes will lead a conversation with the Melbourne-based artist Nicholas Mangan on the occasion of his solo show 'Ancient Lights' (3 July–23 August 2015) at Chisenhale Gallery. They will discuss his ongoing investigations into the relationship between energy and social transformation as well as his latest film installation premiered in the exhibition and powered entirely by on-site solar panels placed on the roof of the gallery building.
'Ancient Lights' is produced in partnership with Artspace, Sydney, where it will be presented as part of his solo exhibition, Other Currents, in September 2015.
Nicholas Mangan (1979) lives and works in Melbourne, Australia. Recent exhibitions include 'Art in the Age of…', Witte de With, Rotterdam; 'Anthropocene Moment', Les Abattoirs, Toulouse (both 2015); 'Octopus', Gertrude Contemporary, Melbourne; 'Concrete', Monash Museum of Art, Melbourne; 'Melbourne Now', National Gallery of Victoria, Melbourne (all 2014). He participated in the '2015 New Museum Triennial: Surround Audience', New York; 9th Bienal do Mercosul, Porto Alegre; and the 13th Istanbul Biennial (both 2013).
This event is free. Reserve a place via Chisenhale's Eventbrite.
RELATED CONTENT:
Interview 'What Lies Beneath' between Nicholas Mangan and Mariana Cánepa Luna of Latitudes, Mousse Magazine #47, February–March 2015.
Max Andrews' of Latitudes feature article 'Landscape Artist', Frieze #172, June–August 2015.
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This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption).
Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Archive Cover Story (May): Here’s to horseshoes: Lawrence Weiner and Sergi Aguilar
Mon, Jun 1 2015
May 2015 Cover Story dedicated to Lawrence Weiner and Sergi Aguilar.
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Cover Story #2: Beneath the Connaught Road West flyover, Hong Kong, 19 January 2013 (4 May 2015)
Cover Story #1: Wilfredo Prieto's work "Grease, Soap, Banana" (2 April 2015)
Latitudes participates in the "Readers Circle: 100 Notes–100 Thoughts" programme organised by the Maybe Education and Public Programs of dOCUMENTA (13) (31 August 2012)
dOCUMENTA (13) artists and Latitudes (24 August 2012)
Lawrence Weiner, 'Under the Sun', Espai d'Art Contemporani de Castelló (25 October 2009)
Latitudes' "out of office" photo album 2008-9 (30 July 2009)
SAVE THE DATE: 8 October, Lawrence Weiner, Fundació Suñol, Barcelona (29 August 2008)
'UN PAÑO DE ALGODÓN ...' de Lawrence Weiner (22 September 2008)
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This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption).
Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.