Latitudes' "out of office" photo album 2011–2012
Tue, Jul 31 2012
This is the fourth year (see 2009-10, 2010-11 and 2011-12 posts) we say goodbye to the 2011–12 season with an 'out of office'
post with some unseen and 'behind the scenes' moments lived in the past 11
months.
Happy holidays/felices vacaciones readers! More Latitudes' via Facebook (http://www.facebook.com/LTTDS) and Twitter (@LTTDS).
22 September 2011: Back to the future. transferring the mp3 file of the new anthem commissioned by Fermín Jiménez Landa onto a cassette. Images of their show here.
21 September 2011: Lee Welch and Fermín Jiménez Landa talk about their show to MUSAC's staff.
21 September 2011: Newly framed works by Lee Welch (top left) and photos by Fermín Jiménez Landa (right).
22 September 2011: Watching concrete dry (Lee Welch and Fermín Jiménez Landa's exhibition plinths/border marks).
23 September 2011: Final rehearsal of La Cena band in the Laboratorio 987 space. Opening performance of 'Himno Nacional' here.
Permission to parade through the streets and squares of León's centre on the 24th September.
24 September 2011: Fermín Jiménez Landa (camera) Lee Welch (video recording) the "Himno Nacional" 'pasacalles' parade around the streets of León.
13 November 2011: Jorge Satorre fixing one of the posters of the show, before we take off to discuss his and Erick Beltráns' project 'Modelling Standard', an interview that was published in the February issue of Atlántica magazine.
31 January 2012: Premis GAC 2012 award ceremony at MACBA's atrium. Mariana Cánepa of Latitudes' was part of this year's jury.
2 February 2012: "...y desde el 'backstage'" (leer aquí) de Vanessa Graell en el suplemento 'Tendències', El Mundo.
6 February 2012:
Demonstration to pressure politicians to change their minds about
stopping the plan for the Canòdrom to be the future Centre of
Contemporary Art in Barcelona. The windows were whitewashed as it is
done with unused facilities.
Artists whitewashing the Canòdrom windows.
12 February 2012: "Mataró Chauffeur Service" mangled at Matadero, Madrid.
13 February 2012, ARCOmadrid: Installed vinyls and posters for each of the The Dutch Assembly hourly talks, readings, artists' presentations, performances, book launches, in conversations and screenings throughout the five days of the fair. See the list here (and some audio recordings). Download full programme details here.
'The Dutch Assembly' was well connected.
13 February 2012: The Dutch Assembly 'Superstructure' space by Jasper Niens and Thijs Ewalts. In the picture, choir performance 'Care' by Rory Pilgrim, presented by De Hallen, Haarlem.
16 February 2012: Latitudes introducing Ann Demeester, Director De Appel, and Nathalie Hartjes, coordinator of the Gallerist Programme at De Appel, presented a round table discussion with (left to right): Jeanine Hofland (Jeanine Hofland Contemporary Art, Amsterdam), Rebeca Blanchard (NoguerasBlanchard, Barcelona) and Helga de Alvear (Helga de Alvear, Madrid) around the profession of the gallerist. Photo: Haco de Ridder.
Álvaro Calleja profiles The Dutch Assembly: "Un Puente entre dos naciones'/'a bridge between two nations" en el ABCDArco, 16 February 2012.
16 March: Good morning Sharjah! Part one of the March Meeting report here.
Sharjah lunch with curator and 'El Cultural' critic, Javier Hontoria.
17 March: Latitudes' presentation on residencies (for artists and curators) during Sharjah's fifth March Meeting, which focused on 'Working with Artists and Audiences on Commissions and Residencies'. Latitudes' panel titled "Minding the Gap: the Critical Role of Smaller Organisations" had presentations by Hu Fang (Vitamin Creative Space, China) and Daniella Rose King (MASS Alexandria, Egypt), and was chaired by Samar Martha (ArtSchool Palestine, Palestine). More photos here. Photo: Posted during the conference on the Twitter account of @lamyaalsuwaidi
Glitzy souvenirs from Dubai, anyone? See more images of Dubai's trip.
23 March 2012: Last day in the Emirates. Visiting Sheikh Zayed Grand Mosque in Abu Dhabi, one of the world's largest mosques. Read more on our trip to the Emirates on the blog (part 1, part 2 and part 3).
29 March (29M): General Strike in Spain. Many more demonstrations to come...
22 April: One of this year's exhibitions highlights: Xavier Le Roy's "Retrospective" at Fundació Antoni Tàpies, Barcelona. On the finissage, children almost stole the show joining performers.
Here, father (performer) and son, perform together at the finissage.
10 April 2012: The happy moment of receiving copies of Amikejo, a book we have been working on most of last winter. See images of the book here.
31 May: Manifesta 9 curator Cuauhtémoc Medina with artist Jeremy Deller. See Latitudes' photo report of Manifesta 9.
31 May: With Lara Almarcegui while she explains her work included in Manifesta 9, Genk. (see more pictures of Manifesta 9, here).
2 June: Visit the drielandenpunt for a remote book launch. This is the apex of the triangle-shaped borders of what was
Amikejo.
2 June: Friends that come to a booklaunch in a remote place, the drielandenpunt ("Three-Country Point") in Dutch, or Dreiländereck ("Three-Country Corner") in German, or Trois Frontières ("Three Borders") in French." More images here. Photo: Klaas van Gorkum
6 June 2012: Welcome to Germany! Brussels–Kassel train journey. A little German snack at Köln's Hauptbahnhof.
6 June: A German, a Dane and an English man meet and greet in a square. (gallerist Johann König, artist Tue Greenfort and Max Andrews' of Latitudes in Friedrichtplatz, Kassel). See Latitudes' documenta (13) photo report here.
7 June: Launch of Maria Loboda's book at Karlsaue Park with music, smoke, and a pyramid of ice with 750 litres of champagne. See Latitudes' documenta (13) photo report here.
9 June: "Spain
is dead" sign posted opposite Kassel's Fridericianum the day Spanish
Ministry of Economy De Guindos, announced the financial "bailout".
8 June 2012: Chance meeting with Mr Weiner and Mr Weiner's tote bag in Kassel, good memories of our 2008 'The Crest of a Wave'.
15 June: Visiting lecturers, Máster en Arte, Museología y Crítica Contemporáneas, Universidad de Santiago de Compostela. The session was preceded by an evening conference at CGAC on "The Curatorial Contract: Analogies and Case Studies". Photo: Pedro de Llano.
16 June: Almejas, berberechos and cold beer in Santiago de Compostela. Galicia calidade!
19 July: iPad-photo-documenting Haegue Yang's piece produced for "Sense and Sustainability", Urdabai Arte 2012.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the caption of the photo).
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
(Part 3) Latitudes interviewed for "Radio For Example, part 2: R22-Dubai", a project by the Curatorial Delegation for Art Dubai 2012 and The Pavilion Downtown Dubai
Fri, Apr 6 2012
Car where the interviews led by the
Curatorial Delegation took place.
Latitudes was interviewed for
Radio For Example by curator and writer Juan A. Gaitán,
member of the Curatorial Delegation together with Rabat’s
L’Appartement 22
founder Abdellah Karroum, organisers of "Radio
For Example, part 2: R22-Dubai" one of the projects of this
year's Art Dubai (see more on the fair in this previous post). Radio For Example consists on a temporary
nomadic recording studio in a car that will be circulating
throughout Dubai, taking people between different art
spaces, public transportation stations and homes, while conducting
a series of dialogues and interviews with artists,
curators and practitioners aimed at exploring the ways in
which individuals engage with notions of the collective
and operate within institutional frameworks.
Juan A. Gaitán holding the mic
and conducting the interview.
Privileging the active role of the listener in the construction
of knowledge, Radio 22 documents a series of
discussions carried out in different places (Morocco, Medellín and
now in Dubai) through live engagement with these specific social, geographic
and political environments.
The interview-on-wheels took place on March
21, between Art Dubai and The
Pavilion Downtown, where Gaitán also curated the yearly 40-metre
banner commission by Lebanese–Egyptian artist Lara
Baladi.
Juan A. Gaitán and Mariana Cánepa
Luna of Latitudes arrive at the
final destination: The Pavilion Downtown, in the background Burj Khalifa, (so
far) the tallest building in the world.
Curatorial Delegation tote bag.
The Pavilion Downtown, a
non-profit contemporary art space in downtown Dubai, also hosted the
exhibition 'Living
with video' curated by Paris-based gallerist Chantal Crousel,
which featured 15 video works of artists Jennifer Allora &
Guillermo Calzadilla, Melik Ohanian, Hassan Khan, Fikret Atay, Wang
Bing, Gabriel Orozco, Mona Hatoum, Anri Sala, Wolfgang Tillmans, all
represented by the French gallery.
Terrace of The Pavilion Downtown
Open cafeteria/restaurant and library
space
Library space. On the shelf a TV
screens Gabriel Orozco's animation "Samurai Tree Animation"
(2007)
Open lounge/cafeteria
Chantal Crousel gives an
introduction to the 'Living with video' show (17 March – 30 June
2012)
Cinema space screening the 16/9 Wang Bing's
film "Man with no name", 2009.
Gallery 2 with works by Fikret
Atay, Anri Sala, Melik Ohanian and a plasma screen with a looped
selection of the films.
A project by the Curatorial Delegatation (Juan A.
Gaitán & Abdellah Karroum)
–
The Pavilion Downtown Dubai
Emaar Boulevard, Downtown Dubai
Dubai, United Arab Emirates
[email protected]
[email protected]
T (+971) 4447 7025
Opening: Everyday, 10am–12am
(Part 2) In pictures: Art Dubai, 21–24 March 2012
Mon, Mar 26 2012
One of the entrances to Art Dubai. All photos Latitudes.
After concluding the three days of the 2012 March Meeting in Sharjah (see part one of our Emirati posts), we made our way to the neighbouring Emirate to visit Art Dubai (21–24 March), which took place at the Madinat Jumeirah hotel resort.
Corridors of Art Dubai. Right: Lombard Freid Projects, New York.
Corridor of Art Dubai. Left: Green Cardamom Gallery showing Ayaz Jokhio, Nazgol Ansarinia and Anwar Jalal Shemza.
Entourage of Sheikh Hamdan bin Mohammed bin Rashid al Maktoum, crown prince of Dubai leaves the fair.
Cartier lounge. Two models pose wearing jewels of the luxury firm.
Global Art Forum 6 "The Medium of Media" directed by writer, curator, Editor-at-Large at Tank magazine and contributing editor at Bidoun magazine Shumon Basar was co-hosted by the Mathaf: Arab Museum of Modern Art, Doha (18–19 March) and was followed by four consecutive days during Art Dubai (21–24 March).
On stage (left to right) Douglas Coupland, Shumon Basar and Hans Ulrich Obrist.
Full house with the keynote by Douglas Coupland.
The programme was the real highlight of Art Dubai and included a focused and well-balanced programme of guests (novelists, curators, artists, journalists, filmmakers, commentators, film producers...) and formats (interviews, 15 minute readings, presentations of commissions). Amongst the highlights was a panel with Canadian novelist and artist Douglas Coupland who discussed Marshall McLuhan’s legacy alongside Shumon Basar and Hans Ulrich Obrist; Michael Rakowitz's dialogue with Jack Persekian on their collaboration for 'The Breakup',
a project which revolved around the intricacies of The Beatles' 1969 breakup, taking the form of a ten-part radio programme that took place in
Ramallah's Radio Amwaj in 2010; and the PowerPointsTM Your Creative Medium Potencial (CMP) series of commissions curated by Victoria Camblin, which included powerpoint works by writers and artists Ayshay+Kari Altmann, Douglas Coupland, Goldin & Senneby, LuckyPDF (see their "School of Global Art" web and powerpoint) and Alex Provan (Triple Canopy).
Shumon Basar (left) photographing the audience and tweeting #GAF2012; Hans Ulrich Obrist (right).
Global Art Forum 6, 22 March: Conversation between Georgina Adam, Art Market Editor at The Art Newspaper and Art Marker correspondent at The Financial Times, and geo-strategist/author Parag Khanna - discussed how information shapes value in the financial marketplace and the differences between the art and the financial market.
Journalist and Bidoun's editor Negar Azimi asking "What is to be done by artists in the face of turbulent historical times when it's the media, arguably, that posseses today's power to shape our imaginations and idealogies the most".
Jack Persekian (left) and Michael Rakowitz (right) discuss their collaboration for 'The Breakup", a multi-part event at the Al-Ma’mal Foundation for Contemporary Art, Jerusalem.
The Abraaj Art Capital Prize exhibition at Art Dubai, with works by Taysir Batniji, Joana Hadjithomas & Khalil Joreige (who had a solo show at The Third Line), Wael Shawky, Risham Syed, and Raed Yassin. Curated by Nat Muller.
Elsewhere in Dubai, The Third Line gallery presented the exhibition "Lebanese Rocket Society: Part III, IV, V" by 2012 Abraaj Capital Art Prize winners, Joana Hadjithomas and Khalil Joreige.
The Pavilion Downtown Dubai hosted the show "Living with Video" curated by Paris-based galleriest Chantal Crousel and a banner commission by Lara Baladi curated by Juan A. Gaitán. More on the exhibitions at The Pavilion Downtown on our following post.
Sheikh Zayed Grand Mosque, Abu Dhabi, is the third largest mosque in the world fits over 7,000 worshippers...
...and features the world’s largest hand-knotted carpet hand-crafted by 1,200 artisans in Iran, 7 gold-coloured chandeliers from Germany made of thousands of Swarovski crystals from Austria and glasswork from Italy...
...1,000 columns in its outer areas cladded with more than 20,000 marble panels inlaid with semi-precious stones, including lapis lazuli, red agate, amethyst, abalone shell and mother of pearl... phew!...
Our final visit: Manarat Al Saadiyat a 15,000 sqm venue with an exhibition about the Saadiyat Cultural District, which in the future will host the Zayed National Museum, the Louvre Abu Dhabi by Jean Nouvel, the Guggenheim Abu Dhabi by Frank Gehry and The Performing Arts Centre
by Zaha Hadid (see maquettes below). Besides the exhibition of a
timeline of Abu Dhabi's history and impressive panoramic screens, the
show is a place for international hotels and resorts chains (Mandarin,
St. Regis, Park Hyatt...) to present their maquettes and 3D renderings of future facilities nearby the museums. Two days before our visit Human
Rights Watch reported that "Abuses Are Continuing" for Workers at Abu Dhabi's Museum Island.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
